Massively unlikely out-of-nowhere exact repro reissue of this insane underground LP, still the most amazing slice of OTT freak to come out of the Netherlands in the late 1960s: a project masterminded by four far-out poets -- Simon Vinkenoog, Bob Lens, Hans Wesseling and Nona -- Woordens closest companion might be Walter Wegmuller and the Cosmic Couriers majestic Tarot set, with diversions into concrete tape work, solo harmonica jams, heavy psych, freak jazz, acid folk and total musical non that touch on aspects of Patrick Conrad, Allan Kaprow, Toshi Ichiyanagi, Popol Vuh and an unholy Chie Mukai/Masayoshi Urabe junk/reeds/drone ritual. Long one of the rarest and whispered about underground Euro masterpieces, Woorden sees the poets chant, flip, sing in heavy F/X reverb heavens and work oracular magic ala Starmaiden herself while the music (courtesy of heads who also played on Group 1850s legendary Agemos Trip To Mother Earth) moves from radical free jazz through laminal voice constructs that confuse automating surrealism and screwed tape/sound works based around universal orgasms and the kind of percussion/vocal freak that is somewhere upwind of Junko and Yoko Ono. The harmonica and drums jams come over like a Cromagnon Kaoru Abe w/almost Sergius Golowin levels of eye-lolling universal worship. Hard to think of an album that is so completely Nurse With Wound list than this amazing long-lost classic and this handy, though ultra limited, reissue saves you selling your car to get a hold of a copy. Profoundly out, massively damaged, classic 60s-utopian art/theatre/noise/psych from a buncha heads with an umbilical to another galaxy altogether. -- David Keenan; on purple vinyl with insert.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.