SANDERS, PHAROAH - Live at Antibes Jazz Festival in Juan-les-Pins July 21, 1968
Restocked "Pharoah Sanders, live at the Antibes Jazz Festival in Juan-les-Pins on July 21, 1968. Experimental jazz titan Pharoah Sanders made a lasting impact with his unorthodox approach to tenor saxophone. Born Farrell Sanders in Little Rock, Arkansas in 1940, he was given the nickname Pharoah by grandmother, in reference to the potential regal lineage of his African heritage. Playing clarinet at church services during his youth, he began playing tenor sax at high school. In 1959 he moved to Oakland, California, where he played with rhythm and blues bands and befriended John Coltrane. Moving to New York in 1961, he drifted into Sun Ra's Arkestra after experiencing a difficult period of homelessness. His status began to rise upon joining Coltrane's band in 1965, where his discordant solos formed a strong contrast to Trane's more melodious sound, though each player had a strong impact on the other's subsequent work. Following Coltrane's untimely death in 1967, Sanders formed a quartet of his own with former Jazz Messengers pianist Lonnie Liston Smith, bassist Norman "Sirone" Jones of the Untraditional Jazz Improvisational Team, and drummer Majeed Shabazz. For this blistering performance, given at the Antibes Jazz Festival of 1968 and broadcast on French radio station WDR3, the quartet moves through various Sanders free-jazz workouts, taking in "Venus" from the Tauhid album (1967) and "The Creator Has A Master Plan" from Karma (1969) along the way, with the rhythm section holding down the fort as Sanders blows himself into the stratosphere." - Alternative Fox.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.