Günter Schickert, four decades of multi-instrumental cosmic explorations, under Berlins sky, above genres, and compromises. Marmo present on his seventh album to date, Labyrinth, the first to be released on vinyl format since 1983s Kinder In Der Wildnis. Schickerts Samtvogel (1974), equaled the imaginative leap and sonic power of the early Pink Floyd, Manuel Gottschings 1975 album Inventions For Electric Guitar (MGART 401CD/901LP) or A.R. & Machiness Die Grüne Reise (1971). Überfällig -- originally released on Sky Records in 1979 and reissue by Bureau B (BB 096CD/LP, 2012) -- little acclaimed, spans a large spectrum of music styles, always through a distinctive and personal aesthetic, that is deeply linked to the one he firstly crafted back in 74, when Schickert pioneered the use of echo effects applied to guitar playing. And now Labyrinth, a record that stands for versatility, where soundscapes or life situations take over. The album is divided into two parts, two different production bulks and periods of Günther Schickerts life. Side A features a selection of tracks recorded in 1996, appearing on the 2012 album HaHeHiHo, released via Pittsburgh based VCO Recordings. The raga-inspired Morning" opens Labyrinth with exotic charm and bitter-sweet nostalgia. "Sieben" kicks off with the same guitar scales of the previous theme, before the motorized progressions of a Korg MS-20 synth surprisingly storm in. "Ninja Schwert" remains on astral dimensions, it is a struggle of cosmic forces, where the steady ride of a pounding beat gets embraced by different guitar layers and analog electronic filtering. The side closes up with "HaHeHiHo", a slow ballad featuring Schickert on vocals, guitar, bass guitar, and drum machine. Side B contains material produced between 2007 and today. "Tsunami" shows the multi-instrumental and recording abilities of Günter Schickert: a field-recorded storm with mesmerizing powers, a peculiar progressive approach to guitar playing. In contrast, "Oase" muffles the intensity and jumps into a completely different soundscape, where in liaison with the sounds of a rolling drum tom and a desert-like trumpet. Like "HaHeHiHo", "Checking" represents the vocal gem of the B side, in a raw and direct way of songwriting like if Syd Barrett was his invisible helper. "Palaver" assembles different vocal recordings of Schickert into a bizarre free-style conversation. "Morning (Slide)", reprises the opening theme, this time solely performed through the caressing dilated sounds of Günters slide guitar. Includes printed inner sleeve and download code." - Marmo.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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