Bureau B

SCHLAMMPEITZIGER - Damenbartblick auf Pregnant Hill

Includes CD. Swallowing air and farting it out, thats the main life skill of the weatherfish. But whats best about him is his evocative German name: Schlammpeitziger. When German electronic artist Jo Zimmermann launched his solo career in the early 1990s, he chose to be identified with this creature living in the flat muddy waters of the European and Asian plains. Unlike the fish, Schlammpeitzigers early reputation was built on his inventive use of cheap Casio synthesizers and the use of composite nouns to name but his first five albums. This here is his eleventh, and while Schlammpeitzigers art has moved on, true to his nature it does contain some colorful references to farting. In this forest of mysteries, his schematic, fastidiously executed drawings function as explanatory systems that are funny but at the same time complex and occult. It maps out a non-physical world that is being triggered by events in the common world, but initially only takes shape in Schlammpeitzigers perception by means of impressions buffered in Schlamm-RAM and decoded in quick succession using enormous flows of incoming and outgoing catalytic energy. Like his paintings, these formulas appear similar to seismographic studies: invisible vibrations are recorded and translated into new alphabets. In his search for inspiration, Schlammpeitziger is the eternal pedant, following up the most inconspicuous leads to find different ways of making sense of reality. A magnetists curiosity drives this folklorist of the self, deep into the thickets of the world. Where others get caught up in well-worn symbolisms or cling to new age rituals with their drones and flickering lights, Schlammpeitziger is taking it easy. He turns his toes inwards, rotates his hips, and beams light signals up into the dark. Jo Zimmermann has the primal funk, a beat that can thread anything together. That certain clap, the short gaps between accents, not to mention the physicality of the bass taking care of the lower levels. In all of this, Schlampeitzigers own movements are an invitation to join his parade of mysteries. For those looking for a future that doesnt reach back into the past but is searching for access to engrossment, Schlammpeitzigers radiation therapy of sound should be just the ticket. - Bureau B.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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