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Bureau B

SCHNITZLER & KEN MONTGOMERY, CONRAD - CAS-CON II: Konzert in der Erloserkirche, Ost-Berlin, 3.9.1986

"As part of Bureau B's series Experimental Electronic Underground GDR, the label make a very special recording available again. The first contact between Conrad Schnitzler, who lived in West Berlin, and Jörg Thomasius, who was based in the east party of the city, came about in the late 1970s. In 1985, Schnitzler visited Thomasius in East Berlin for the first time. In the meantime, Thomasius had released cassettes in the GDR both as a soloist and with his group DFO (Das freie Orchester). The following year, the idea of a joint concert in East Berlin's Erlöserkirche was born. In the GDR, it was not possible to hold events in public without a so-called state "classification". DFO did not have this permit at that time and so public performances were only possible in the context of private or church institutions. In 1982, Schnitzler had already met the New York musician Ken Gen Montgomery, who then regularly performed Schnitzlers's compositions live at various venues worldwide. And so, Schnitzler also produced four cassettes especially for his concert in East Berlin, which were sent by courier from West to East Berlin. On the evening of 3.9.1986, the privately announced and illegal concert took place in the Erlöserkirche in East Berlin/GDR. Montgomery mixed Schnitzler's music live from the tapes. Jörg Thomasius recorded the performance and released the recording in 1987 on his own underground cassette label, Krötenkassetten. Elaborately restored, the original recording is now being released for the first time under the title CAS-CON II. In addition to photos and contemporary documents, it also includes Jörg Thomasius's and Ken Gen Montgomery's written memories of this very special evening." - Bureau B.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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