Feeding Tube

VAN DEN DOBBELSTEEN, JAN - Kringloop/New Adventures

Feeding Tube Records present the first US LP by Dutch experimental artist Jan van den Dobbelsteen. Jan has been releasing music, non-music and kinda-music on his Cosmic Volume label since 1978. Often these works are connected to visual exhibits or installations, but they also work as standalone sound events. Feeding Tube Records had been tracking Jan's work for a good long while, but it was only after Phil Milstein told them he was friends of Jan and his partner, Danielle Lemaire, that their wheels began to spin--They had sponsored Milstein's show-and-tell song-poem trip to the Low Countries. Introductions were made, and here are the most excellent results. Because van den Dobbelsteen's conceptual palette is so wide, Feeding Tube Records approached this project without preconceptions or suggestions. What he came up with was a set of wild pieces for bells of all sorts. The effect is something like a shoebox version of Charlemagne Palestine's work with carillons, perhaps crossed with one of those records documenting the sounds of mechanical toys. When pressed for a few words, Jan described it thusly: "Constructing a music machine inspired from musical automata, self-playing instruments. Music boxes, barrel and street-organs, automatic mechanical pneumatic organs. Self-playing ensemble of bells. electromechanical random clicking and tinkle. No virtuosity or individual genius. Automated musical bells generates the sounds and motion in the performance and produce richly-textured sounds and jingle while there is no need for a composer or performer. rinkelen jingle tinkle jangle chink clang clank klingelen jingle tinkle tingelen tinkle jingle rammelen rattle jingle strum jangle sputter clash kletteren clatter clang clank patter rattle jingle gerinkel tinkle jingle clank jangle chink clang klinkklank jingle clink chink tinkle jangle ding a ling ring ding ping chime tintinnabulation clink chink tinkle ring ding ping ringing chime jingle bell toll peal rumble grumble carillion. Edition of 200." - Feeding Tube.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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