Maggot Brain

MAGGOT BRAIN - #10 (Sep/Oct/Nov 2022)

"Cover art by Detroit-based graphic artist Lucy Cahill depicts Wanda Jackson as an alien because why not; with additional recent works by her inside the issue. Glasgow's justly beloved Belle & Sebastian, hot on the heels of a US tour and their best record in ages, deliver unto us decades' worth of posters and ephemera, with an interview with Stuart Murdoch on the history of the group's aesthetics. Novelist and longtime friend David Gordon lets us run the full text of his archival talk with celebrated painter and author Duncan Hannah (RIP -- and yes he goes into detail about the Lou Reed incident described in Please Kill Me). Kevin Esquire spent hours with Motown's almost-star from the 1960s and '70s, Christina Carter, and we have unpublished archival images and many amazing anecdotes. Speaking of Motown, did you know that the son of the great Marxist/Black liberation activist CLR James was in 'mixed race' band Odyssey, who had a record on Motown? We have a great feature on that. Fascinating discussion between guitarist-singer-songriter-innovators Chris Forsyth and Steve Wynn. We have an amazing excerpt from Ben Berton's new book on Dan Treacy and the TV Personalities, detailing how the first 7" came together and John Peel inadvertently named the band. Nate Carlson goes deep on the Tony Iommi era of Black Sabbath. Why Buffy Saint-Marie matters, now more than ever, by writer and musician Emily Pothast. One of our favorite writers, Sara Jaffe, tells us how her own grandfather wrote the song 'I'm My Own Grandpa'! No, really! That alone is worth admission. Plus -- there's a terrific and long and excellently illustrated feature on the country and experimental steel guitarist Barry Walker Jr by Tom Humphrey. Our SF Indie Scene Report: 2022 is so well done that it's going to knock your socks off. Plus, Lucy Sante and Mimi Lipson and the tape column and Katie Lass on her soon-to-be classic Hypnopomp LP and the great Jay Ruttenberg on Sessa, whew. Plus, also of course beautiful images galore, and more besides." -Maggot Brain.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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