"German pianist Georg Gräwe, one of the most impeccable and imaginative improvisers in contemporary free music, made his debut recording, New Movements, in 1976, under the auspices of Free Music Production, the legendary Berlin-based organization run by Jost Gebers. At FMP's Jazz Now festival, in April of that year, Gräwe presented his working band, a classic hard-bop configuration with trumpet, saxophone, and rhythm section. Indeed, some vestiges of that hard-bop feel permeate the music, however it's been fractured and expanded in its ambitions to include post-bop, freebop, free jazz, and free improvisation, all with an overall set of structures that betray Gräwe's deep interest in contemporary classical forms. The band featured tenor and soprano saxophonist Harald Dau, matched by lithe trumpeter Horst Grabosch, and Gräwe's rhythm team is impeccable, with Hans Schneider's bass and Achim Kramer's drums. The same band hit the stage a year and a half later, again for FMP, recording Pink Pong. Even more adventurous and tightly wired, this version of Gräwe's fivesome plays more concise compositions, a total of eleven of them, spread out almost evenly amongst band members. The resulting album is one of FMP's absolute classics, simultaneously a nod at precursors like Alexander von Schlippenbach's early groups and Manfred Schoof's killer mid-sized ensembles, but also indicating a new path for a younger set of players. Steeped in a love of folks like Lennie Tristano and Steve Lacy, the band's points of reference were diverse enough to make them stand out against some of the more exclusively hard-blowing Germans of the era. First reissue since it was first available in the mid-1970s. Licensing directly from FMP, with newly remastered music direct from the original tapes, CvsD put this important piece of free music history back into circulation, throwing light on the early years of Georg Gräwe's music and expanding the picture of what FMP's vanguard mission meant. Edition of 500." - Corbett Vs. Dempsey.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.