Minimum Table Stacks

SMELLY FEET - Smelly Neu Pollution

Debut release on new US label Minimum Table Stacks. One-time edition of 300 copies.

"New Zealand legend Brent Hayward AKA Fats White is probably best known as the vocalist and guitarist in Wellington and Auckland post-punk bands like Shoes This High and Kiwi Animal but when he wasn’t collaborating with others he recorded solo as Smelly Feet. As Smelly Feet, Hayward performed on both street corners and stages supporting such bands as The Clean and even The Fall on their legendary 1982 tour of New Zealand. Hayward self-released three Smelly Feet 7” singles and a handful of cassettes, all around the year 1981. Most were simply given away to friends and fans, while the rest were only available at a few local record stores.

The music of Smelly Feet is sardonic, chaotic DIY folk on the surface, but much deeper than that is a legit artistic genius baring his soul using just his voice and an acoustic guitar. Tuning is often an afterthought. It’s the message that counts: prophetic, apocalyptic, cynical, passionate. Brent is one of the few artists who really, actually, TRULY plays like his life depends on it.

Smelly Neu Pollution compiles the three self-released 7” singles Brent recorded, pressed and distributed himself in 1981, as well as various tracks hand-selected from the last small archive of Brent’s cassette recordings from the same time period and recording sessions. Minimum Table Stacks is proud to debut as a label with this collection, released in a one-time pressing of 300 copies, featuring cover art by Hayward and liner notes from NZ legends Stuart Page of Axemen and Bruce Russell of The Dead C. All tracks mastered directly from original copies of the 7” vinyl and various cassettes by Josh Stevenson at Otic Sound. Graphic design/layout by the great Raoul Tinybear.
New Zealand legend Brent Hayward AKA Fats White is probably best known as the vocalist and guitarist in Wellington and Auckland post-punk bands like Shoes This High and Kiwi Animal but when he wasn’t collaborating with others he recorded solo as Smelly Feet. As Smelly Feet, Hayward performed on both street corners and stages supporting such bands as The Clean and even The Fall on their legendary 1982 tour of New Zealand. Hayward self-released three Smelly Feet 7” singles and a handful of cassettes, all around the year 1981. Most were simply given away to friends and fans, while the rest were only available at a few local record stores.

The music of Smelly Feet is sardonic, chaotic DIY folk on the surface, but much deeper than that is a legit artistic genius baring his soul using just his voice and an acoustic guitar. Tuning is often an afterthought. It’s the message that counts: prophetic, apocalyptic, cynical, passionate. Brent is one of the few artists who really, actually, TRULY plays like his life depends on it.

Smelly Neu Pollution compiles the three self-released 7” singles Brent recorded, pressed and distributed himself in 1981, as well as various tracks hand-selected from the last small archive of Brent’s cassette recordings from the same time period and recording sessions. Minimum Table Stacks is proud to debut as a label with this collection, released in a one-time pressing of 300 copies, featuring cover art by Hayward and liner notes from NZ legends Stuart Page of Axemen and Bruce Russell of The Dead C. All tracks mastered directly from original copies of the 7” vinyl and various cassettes by Josh Stevenson at Otic Sound. Graphic design/layout by the great Raoul Tinybear." - Minimum Table Stacks.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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