"140 gram vinyl. Thomas Ankersmit's new album for Shelter Press Homage To Dick Raaijmakers is an all-analog electronic music composition inspired by legendary Dutch composer/electronic and tape music pioneer and multimedia artist, Dick Raaijmakers (1930-2013). The work takes inspiration from Raaijmakers's music from the 1960s, his texts on sound composition like "Cahier M", and notes on his own music. On this recording, Ankersmit plays Serge Modular feedback and sine/pulse/random generators, contact mic, and tape speed variation; mirroring some of Raaijmakers's work, Ankersmit plays his Serge synthesizer as a kind of weather system. He references storms, thunder, crashing and falling objects, and distant radio transmissions in his electronic sounds, as well as dragging a contact mic across his equipment. Despite the abstract nature of the material, a sense of loss or mourning sometimes emerges from the music. With his homage Ankersmit re-contextualizes Raaijmakers's ideas about electric sound, composition, and spatial experience. Like Raaijmakers himself Ankersmit exclusively uses analog devices, such as sine/pulse/random generators, modulators, filters, and especially feedback processes between them. The music focuses on the sounds of raw electricity through creatively abused electronics, composing with analog micro-sounds, and the creation of three-dimensional sound fields. The piece also uses tones produced by the listener's own ears, inspired by Raaijmakers's thoughts on "holophonic" sound fields to be individually explored by the listener. With this phenomenon, the listener's inner ears actively generate sounds that don't exist in the recorded signal, and which can change with a small movement of the head. Homage To Dick Raaijmakers was commissioned by Sonic Acts and was premiered live at the Stedelijk Museum in Amsterdam in February 2016. Ankersmit also dedicates the work to his father Thijl Ankersmit (1947-2016), who first demonstrated feedback to him. Mastered and cut by Rashad Becker." - Shelter Press.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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