{"title":"september 6, 2019","description":"","products":[{"product_id":"suicide-live-19771978","title":"SUICIDE - Live 1977-1978","description":"\u003cp\u003eRestocked. \"Audio verité recordings (mastered by the incomparable Denis Blackham) of Suicide playing live from September 1977 to August 1978. These recordings cover most of their early shows at CBGBs \u0026amp; Maxs plus their first-ever tour across Europe \u0026amp; the UK, these being their dates outside the USA. As you will hear, a crucial year in Suicides development as both musicians and performers and their mission to stretch the label of punk rock to the very limit. The package includes a 40 page booklet of Suicide \u0026amp; Red Star Records memorabilia (including very rare Red Star press releases) from the personal archives of Howard Thompson, the A\u0026amp;R man that signed Suicide to UK label Bronze Records. Only the infamous 23 Minutes Over Brussels has been legally released before. From my very own sleeve notes: This set of recordings are not the faint hearted, nor is it the ideal place to start to those first time listeners seeking an easy entry into the dark and decidedly queasy world of Alan Vega \u0026amp; Marty Revs proto-futuristic, low tech sci-fi musical that they launched on a mostly uncaring world as music group Suicide. Howard Thompsons archive was originally made purely for his personal reference based on a joyless recognition that he was right there seeing history in the making. Weve presented the gigs in the order they happened, all the better to hear how the Suicide live experience develops. If you want homogenized, sanitized, tweaked and combed, P.Cd \"punk,\" put this baby back on eBay and sell it for profit to one who maybe really wants the use of these leather black skrying mirrors.\" -Paul Smith.\u003c\/p\u003e","brand":"Blast First Petite","offers":[{"title":"6 CD Box Set","offer_id":51897960071,"sku":"7211-BLAST FIRST PETITE","price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1367367-1213381678_jpeg.jpg?v=1571717643"},{"product_id":"sebastian-rays-of-the-sun","title":"SEBASTIAN - Rays Of The Sun","description":"\u003cp\u003e2010 release, forgotten stock. \"Early '70s reissue of this much in demand deep folky psych rarity with lavish arrangements like Darius meets Scott Walker. Great songs. long and short, and with superb vocal melodies with acid leads, sitar, and 'Peppery' feel on some tracks. Undiscovered psych classic! Remastered and pressed on virgin DMM vinyl limited to 500 copies pressing.\" - Acme.\u003c\/p\u003e","brand":"Acme","offers":[{"title":"LP","offer_id":51923833543,"sku":"9765-ACME","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ACME7001LP_CU.jpg?v=1571717834"},{"product_id":"aritomo-el-jardn-volador-en-la-pintura","title":"ARITOMO - El Jardi'n Volador En La Pintura","description":"2009 release. His fourth solo LP, recorded following a trip to Peru. Includes a lyrics insert. Standard version.\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F92674453\u0026amp;color=ff0000\u0026amp;auto_play=false\u0026amp;show_artwork=true\"\u003e\u003c\/iframe\u003e","brand":"Hakanairo","offers":[{"title":"LP","offer_id":51943906759,"sku":"","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2024164-1259185019_jpeg.jpg?v=1571718109"},{"product_id":"mamitori-ulithi-empress-yonaguni-san-123-fairy-tail-chimidoro-phenomenon-satan-inferno-dress-ha-cattlemurarete-yggdrasill-hawa-sasaru","title":"MAMITORI ULITHI EMPRESS YONAGUNI SAN - 123 Fairy Tail Chimidoro Phenomenon Satan Inferno Dress Ha Cattlemurarete Yggdrasill HAwa Sasaru","description":"\u003cp\u003e2012 release. Third album from this band (formerly known as Mamitori) made up of Aritomo, Tadasuke Iwanaga, Shingo Nakata, Kenji Itagaki, and Ai Tsuchikwa (all painters). Hand painted\/collaged covers and insert. \u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F98836006\u0026amp;color=ff0000\u0026amp;auto_play=false\u0026amp;show_artwork=true\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"They are a Japanese rock band.\u003c\/p\u003e\n\u003cp\u003eMamitori Ulithi empress yonaguni san was named \"Mamitori\" in 2000 first. And they released their 1st LP in 2003.\u003c\/p\u003e\n\u003cp\u003eAnd a Japanese label released their 2nd album CD in 2008. For first ten years, they continued performing a great deal of live performance.\u003c\/p\u003e\n\u003cp\u003eI remember that many young visitors praised their live performance.\u003c\/p\u003e\n\u003cp\u003eThey changed their name a few years ago and they get absorbed in recording. They continued recording enormous quantity and collected nice takes.\u003c\/p\u003e\n\u003cp\u003eTheir music may be rock. However, it does not resemble other rocks. \u003c\/p\u003e\n\u003cp\u003eA reviewer wrote it is psychedelic. Really? A listener said it is like New Wave bands. Or? Another listener think it is like garage-rock...\u003c\/p\u003e\n\u003cp\u003eThe music is not free improvisation. However, each musical instrument often breaks rules on purpose.\u003c\/p\u003e\n\u003cp\u003eThe rhythm with the regularity becomes often irregular. The songs are sung like whisper.\u003c\/p\u003e\n\u003cp\u003eThey are fraught with much abstractness. Are they atmospheres such as underground music? However, some songs have feeling such as pop music.\u003c\/p\u003e\n\u003cp\u003eAt all events it will be splendid music. Please listen to this if you want to listen to rock which does not resemble other rocks.\u003c\/p\u003e\n\u003cp\u003eBy the way, they changed their name again and released their next LP by the French label \"bruit direct disques\" in 2018.\"\u003c\/p\u003e","brand":"Mamitori Ulithi Empress Yonaguni San","offers":[{"title":"LP","offer_id":51943921223,"sku":"14507-MAMITORI ULITHI EMPRESS YONAGUNI SAN","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5691667-1400064309-2039_jpeg.jpg?v=1571718109"},{"product_id":"partch-harry-the-world-of-harry-partch","title":"PARTCH, HARRY - The World of Harry Partch","description":"\u003cp\u003e2019 repress. 180-gram exact repro reissue. Originally released in 1969. \"The World of Harry Partch collects three of his best short pieces. Daphne of the Dunes (1967) is a side-long update of Windsong written for dance. The melodic segments are given more emphasis than usual for a Partch piece, and harmonically this is one of his best with arpeggiated glides\/cries of the Harmonic Canons evoking our sympathies. Meter changes almost measure by measure, with one section in 31\/16 meter; another (polymetric) section consists of 4\/4-7\/4 over 4\/8-7\/8! Needless to say, while being very physical, Partchs music isnt something you can easily tap your foot to. Whats most important is that it works. Partch was not one to introduce musical complexity merely for its own sake, another factor that separated him from his contemporaries. Not only are the rhythms complex, but they are performed at a frantic pace unequaled by any music Ive hard (save perhaps the inhumanly fast player piano pieces of Conlon Nancarrow!). This is characteristic of most of Partchs works, though I think Daphne is one of the most successful and exhilarating. Barstow -- Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California was composed in 1941 as part of The Wayward. It offers such statements as Go to 538 East Lemon Avenue for an easy handout and Looking for millionaire wife... This charismatic piece is successful due to the contrasting of Partchs intoning voice with others in the ensemble and to increased instrumental emphasis. Last is Castor and Pollux in a more modern performance than From the Music of Harry Partch, with greater vigor and fidelity. The World of Harry Partch is an excellent introduction to his works that comes highly recommended.\" - Surface Noise.\u003c\/p\u003e","brand":"Columbia","offers":[{"title":"LP","offer_id":51944418951,"sku":"14675-COLUMBIA","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/P751492HLP_CU.jpg?v=1571718114"},{"product_id":"v-a-sounds-of-silence","title":"V\/A - Sounds of Silence","description":"\u003cp\u003e2019 repress. \"Sounds of Silence is an anthology of some of the most intriguing silent tracks in recording history and includes rare works, among others, by Andy Warhol, John Lennon, Maurice Lemaitre, Sly \u0026amp; The Family Stone, Robert Wyatt, John Denver, Whitehouse, Orbital, Crass, Ciccone Youth, Afrika Bambaataa and of course, Yves Klein. In their own quiet way, these silences speak volumes: they are performative, political, critical, abstract, poetic, cynical, technical, absurd. They can be intended as a memorial or a joke, a special offer, or something entirely undefined. The carefully-chosen silences of this anthology are intrinsically linked to the medium of reproduction itself and reveal its nude materiality. They expose their medium in all its facets and imperfections, including the effect of time and wear. At the most basic level, these silences are surfaces. And it is in their materiality that they distinguish themselves from the conceptual experiments of John Cage with \"4 33\". Since the 1950s, silence has found a place in the economic structure of the record industry and since then it would increasingly be appropriated by a vast array of artists in a vast array of contexts. Indeed, the silent tracks seem to know no boundaries. The LP presents the silences as they were originally recorded, preserving any imperfection that the hardware conferred upon the enterprise, without banning the possibility of being satisfying to the ear. The liner notes provide historical background for each track, revealing the stated (or presumed) motivations for these silences, while providing novel sound correspondences or interferences. This album is meant to be played loud (or not), at any time, in any place: a true aural experience. Only 250 copies available for distribution, in a gatefold iconic sleeve.\" - Alga Marghen.\u003c\/p\u003e","brand":"Alga Marghen","offers":[{"title":"LP","offer_id":51946910215,"sku":"15055-ALGA MARGHEN","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ALGA046LP_CU.jpg?v=1571718139"},{"product_id":"eric-rin-the-soundtrack-to-the-movie-in-your-mind","title":"ERIC, RIN - The Soundtrack To The Movie In Your Mind","description":"\"The SSW musicians as he continued his musical career in the United States from the 70s, it is also a sculptor painter_جø¬__¢‚Ǩ¬®Rin Eric. We work in the form of the original official release of the person in question the cooperation LP that Rins is self-produced in 72. Currently, folk indie scene of America 70s many, work group of locks have been rediscovered, but the _¢‚Ǩ¬®name board, but remained either from lack of the production number, it is not known for a long time _¢‚Ǩ¬®to remain buried too good to, it is a great work! We work and I think that, if you can feel something wonderful his music and reach the ears of many people at any one person. It is a music group with the exception of the few songs, made up of only acoustic guitar and voice. _¢‚Ǩ¬®And a unique code feeling, finger picking, with the pace although being simple _¢‚Ǩ¬®and, by the voice of Rins going extends deeply as if Kuruwasu the sense of time _¢‚Ǩ¬®sound with a variety of facial expressions will have been spun. _¢‚Ǩ¬®In addition, it is simple, but the sound therefore leave room by imagination, _¢‚Ǩ¬®as the album title, but also by the heart of the listener receive is as if going to change the look of this sound. _¢‚Ǩ¬®Like no other work of aloof. Long recording of a double-sided board alignment over 60 minutes! _¢‚Ǩ¬®Upon request a strong person in question, and it was with recurrence in the analog board instead of CD! _¢‚Ǩ¬®The Original Similarly, 26 page booklet with lyrics! - Branco Label (via Google Translate).\u003cbr\u003e\u003cbr\u003e\"..one of the holy grails of the loner folk field. ..(re: opening track \"Montano D Anjo\") with a world-weary, soulful voice Eric sends you into an acid trip where his life unfolds and merges with the external hallucinations around him. While more tunes like the opener would have made this a full-blown killer LP, it still stands head and shoulders above the genre average..\" - Patrick Lundborg, Acid Archives.\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/117269540\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Branco Label","offers":[{"title":"LP\/Book","offer_id":51948133959,"sku":"15268-BRANCO LABEL","price":34.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5692507-1400081822-3890_jpeg.jpg?v=1571718144"},{"product_id":"zoviet-france-the-tables-are-turning","title":"ZOVIET FRANCE - The Tables Are Turning","description":"\u003cp\u003eThe music was composed as the soundtrack to Designer Body, a dance that toured England from 2008 to 2009. The work explores the transformational relationship between humans and the clothing they wear. Seven dancers, performing on continuously rotating plinths, slowly remove layers of their costumes, revealing their nude bodies beneath. The music accompanying the dancers is by turns dense and moody, then lyrical and soaring, underlining the mounting vulnerability of the dancers as they undress. The members of :zoviet*france:, who prefer to remain anonymous, write 'We've known Liv Lorent for a long time. When she started to conceive Designer Body, which she wanted to be a hybrid of contemporary dance and performance art, she decided that an unconventional performance needed an unconventional soundtrack. The composition of the soundtrack and the choreography evolved alongside each other so it became a dialogue between Liv and ourselves. The main inspiration that we took from the production's concept was rotation; throughout the one hour performance, the dancers are located on turntables that turn continuously, at varying speeds and changing direction. We mirrored this in much of the soundtrack, with circular and rotating sounds.' Presented in a deluxe dual-layer green satin bag with fold-over flap. The letters 'ZF' are hand-stitched into the flap in white thread, and a two-sided color insert printed on sturdy cardstock completes the package. - Soleilmoon.\u003c\/p\u003e","brand":"Soleilmoon","offers":[{"title":"CD","offer_id":15900947873855,"sku":"16728-SOLEILMOON","price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SOL182CD_CU.jpg?v=1571718220"},{"product_id":"hill-andon-page-1","title":"HILL ANDON - Page 1","description":"\"This is the reissue CD of a great 70s Japanese folk rock psyche private press LP. Original LP was released in Tokyo 74. Chorus work like CSN\u0026amp;Y with psychedelic folk rock sounds! Like Japanese Kissing Spell-Los Pajaros\"! Mini LP g\/f sleeve, with OBI, lyric insert.\" - Branco Label.\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/213252496\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"Branco Label","offers":[{"title":"CD","offer_id":52003864391,"sku":"17109-BRANCO LABEL","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-8314569-1459181652-3615_jpeg.jpg?v=1571718253"},{"product_id":"8th-likely-faces-the-sparkling-eyes","title":"8TH LIKELY FACES, THE - Sparkling Eyes","description":"\"If collectors are asked about splendid 70s Japanese psych album, they will probably all come up with different comparisons. Flower Travellin Band? Speed, Glue \u0026amp; Shinki? Love? Far Out? Or? Probably some collectors will answer The 8th Likely Faces\".\u003cbr\u003e\\r\\nThe 8th Likely Faces was a country rock band based in Hokkaido. Their English sung music however had strong psychedelic leanings. They released 200 copies of the original LP in 74. This CD-reissue comes in a mini-LP sleeve with a lyric insert and OBI.\" - Branco Label.\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/166114478\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"Branco Label","offers":[{"title":"CD","offer_id":52003865927,"sku":"","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6141748-1412106296-2259_jpeg.jpg?v=1571718253"},{"product_id":"harada-mitsu-codomo-news","title":"HARADA, MITSU - Codomo News","description":"Originally released in 1975 on Himico Record.\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/78528929\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"Branco Label","offers":[{"title":"CD","offer_id":52003874567,"sku":"17113-BRANCO LABEL","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5693150-1400092568-2572_jpeg.jpg?v=1571718253"},{"product_id":"smith-antonio-ven-seamos-mas-somos-el-mundo","title":"SMITH, ANTONIO - Ven, Seamos Mas... \/ Somos El Mundo","description":"Ven, Seamos Mas...\" originally released in 1974, \"Somos El Mundo\" in 1975. Papersleeve with two inserts.\" - Branco Label. \u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/98400611\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"Branco Label","offers":[{"title":"Double CD","offer_id":52003875015,"sku":"17114-BRANCO LABEL","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3825989-1464764167-2078_jpeg.jpg?v=1571718253"},{"product_id":"hennix-catherine-christer-live-at-issue-project-room","title":"HENNIX, CATHERINE CHRISTER - Live At Issue Project Room","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003eRestocked. \"\u003ci\u003eLive At Issue Project Room\u003c\/i\u003e is the first recording of the expanded configuration of Catherine Christer Hennix's Chora(s)san Time-Court Mirage just-intonation ensemble, documenting a 2014 performance at Issue Project Room. The ensemble of Hennix (voice) and Hilary Jeffery and Robin Hayward (brass) is expanded to include vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan, and Amirtha Kidambi; brass players Paul Schwingenschlögl and Elena Kakaliagou; and Marcus Pal and Stefan Tiedje on electronics. \u003ci\u003eLive At Issue Project Room\u003c\/i\u003e is packaged in a deluxe letterpressed sleeve. \u003cbr\u003e\u003cbr\u003e\"\u003ci\u003eShe has created a sound that reliably taps into our subconscious and frees us from linear time\u003c\/i\u003e\" --The Quietus. Catherine Christer Hennix (born 1948 in Stockholm) is an artist, poet, composer, and philosopher with a strong interest in logic and formal music theory. In late-1960s Sweden, she was a pioneer of experimenting with mainframe computer-generated composite soundwave forms, and in the 1970s she was a key protagonist of the Downtown School along with La Monte Young and Henry Flynt, with whom she has collaborated on numerous occasions. She pursued studies with master vocalist Pandit Pran Nath and led the just-intonation live electronic ensembles Hilbert Hotel and The Deontic Miracle. Hennix's interest in drone music and the meditative, trance-like state it induces is apparent in her exploration of similar music in many other cultures and traditions, including, for example, Japanese gagaku music and the 13th-century vocal music of Pérotin and Léonin. In 2003 she returned to computer-generated composite soundwave forms or \"soliton(e)s,\" of which \u003ci\u003eInfinitary Composite Sound Wave Form Composition Soliton(e) Star\u003c\/i\u003e (2003-present) was the first result. She subsequently formed the Choras(s)an Time-Court Mirage just-intonation ensemble; in 2012, Important Records released a performance by this ensemble of \"Blues Dhikr Al-Salam (Blues Al Maqam)\" as \u003ci\u003eLive At The Grimm Museum Volume One \u003c\/i\u003e(IMPREC 354CD). In 2012 Henry Flynt asked Hennix for a new, expanded realization of an \"Illuminatory Sound Environment\" for an installation at the ZKM in Karlsruhe, Germany, for his \"Henry Flynt. Activities 1959 --\" exhibition. In response Hennix realized a four-channel composition, \u003ci\u003eRag Infinity\/Rag Cosmosis\u003c\/i\u003e, her first four-channel computer-assisted composition since 1969.\" - Important.\u003c\/div\u003e","brand":"Important","offers":[{"title":"CD","offer_id":52009037127,"sku":"18133-IMPORTANT","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/IMPREC434CD_CU.jpg?v=1571718302"},{"product_id":"olson-john-life-is-a-rip-off-the-complete-book","title":"OLSON, JOHN - Life is a Rip Off: The Complete Book","description":"\u003cp\u003eRESTOCKED \"Life is a Rip Off: The Complete Book is 12 months of record reviews -- one record a day, every day, for one year. Yes, John \"Inzane\" Olson aka Inzane Johnny of the band Wolf Eyes aka American Tapes did that. And he reviewed everything from death metal demo cassettes to the Staples Singers gospel. Enter into the Olzone and find out about music youve never known, bands from places that youve never heard, and then read his review of Kansas. Reading Life is a Rip Off will make you re-realize why blues is relevant, why every punk band in America matters, why jazz is good for the heart, and metal will always ride by your side.\" - Third Man. 404 pages; paperback, 8\"x10\".\u003c\/p\u003e","brand":"Third Man","offers":[{"title":"Book","offer_id":52014222855,"sku":"18582-THIRD MAN","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/LRIP-cover-550.jpg?v=1571718372"},{"product_id":"levy-william-popular-teen-shot-in-face-by-first-love","title":"LEVY, WILLIAM - Popular Teen Shot In Face By First Love","description":"\"Edition of 200 + 50 AP. A collection of tape\/text\/musique concrete pieces featuring various collaborators, including Willem De Ridder-- \"chairman\" of the Northern European branch of Fluxus (and associate of Dick Raaijmakers, Louis Andriessen and others), with whom Levy edited \"Suck,\" \"Europes first porn newspaper.\" Levy was also an associate of Otto Muehls..\"","brand":"Slowscan","offers":[{"title":"LP","offer_id":52014316231,"sku":"18666-SLOWSCAN","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-8774840-1468509536-3908_jpeg.jpg?v=1571718395"},{"product_id":"lolina-live-in-paris","title":"LOLINA - Live In Paris","description":"\u003cp\u003eInga Copeland releases her second album under the Lolina moniker, Live In Paris. Originally released via Vimeo, some material on Live In Paris is taken from previous releases, Relaxin With Lolina (2015) and the Hyperdub compilation Hyperdub 10.3 (2014). Copeland, an Estonian-Russian artist, considers the delicate socio-political atmosphere of Paris in 2015 and 2016, performing the 35-minuute set with a multi-screen projection of a giant monopoly board surrounding her. A review\" from an unknown source: \"God, reviews can be LOL. So well presume you know your own mind and taste. Let us scrub all metaphor. Well resist comparison. Todays musical tenor overlooked, well refuse to dissect. Moments preferred are muted. We wont highlight respite or forgiveness. Theres no considering of geographical fact. Well shut our ears to technology.\"\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XXPW2IpICiE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"no label","offers":[{"title":"LP","offer_id":52023590343,"sku":"19042-NO LABEL","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/LOL002LP_CU.jpg?v=1615142412"},{"product_id":"nobuwataru-kasahara-etudes-for-the-incarnation","title":"NOBU=WATARU KASAHARA - Études for the Incarnation","description":"\u003cp\u003eEdition of 36. Kasahara is Embudagonn 108.\u003c\/p\u003e","brand":"Kodanuki Press","offers":[{"title":"Cass","offer_id":13354251223103,"sku":"20787-KODANUKI PRESS","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11419515-1516008429-8298_jpeg.jpg?v=1571718550"},{"product_id":"crazy-doberman-free-lsd","title":"CRAZY DOBERMAN - Free LSD","description":"\"Hailing from LaFayette Indiana, this amorphous psycho jazz unit drops a heavy slab of tunes that sounds like “the Glenn Miller orchestra recorded a tape for Industrial Records and microwaved the masters”. Hard to pin down and forever tripping with new players\/ live sessions all over the US. This LP features: Drew Davis, Tim Gick, John Olson ( Wolf Eyes ), Jessica Billey, Jason Filer, Aaron Zernack, Paul Baldwin, and Zeno Ben-Amotz. Available in a pressing of 500 copies.\" -\u003cbr\u003eRadical Documents.","brand":"Radical Documents","offers":[{"title":"LP","offer_id":13354252337215,"sku":"20840-RADICAL DOCUMENTS","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11340521-1542556574-4829_jpeg.jpg?v=1571718551"},{"product_id":"iwata-yuzo-daylight-moon","title":"IWATA, YUZO - Daylight Moon","description":"\u003cp\u003e\"Daylight Moon is Yuzo Iwatas 1st outing since his debut lp, Drowning In The Sky, got the green light in 1999 on the legendary Org label. While Yuzos been living stateside for a couple of decades, his roots, style \u0026amp; fluidity harken back to the Kichijoji Minor days of the late seventies Tokyo underground scene. He also put in some time as a member of Tori Kudos Maher Shalal Hash Baz early on \u0026amp; theres no one else in Philadelphia who can make that claim. His pedigree is legit. As is his playing. For fans of Kousokuya \u0026amp; Hallelujahs especially + PSF \u0026amp; Org label output overall.\" - Siltbreeze.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Eto4gRS15eo\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Siltbreeze","offers":[{"title":"LP","offer_id":13354254401599,"sku":"20871-SILTBREEZE","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11670873-1520378989-1236_jpeg.jpg?v=1571718552"},{"product_id":"frdmning-13","title":"FÖRDÄMNING - #13","description":"Restocked. \"Printed in August 2017. Features on Metonymic and Gothenburg Blood Cult. Interviews with Stefan Christensen and Alberts Basement. Speaker Crackle In The Garden (NZ lathe cuts - Part IV)\u003cbr\u003e Reviews. A5, 28 pages. 250 copies.\" - Il Dischi Del Barone.","brand":"I Dischi Del Barone","offers":[{"title":"Mag","offer_id":13354266165311,"sku":"21109-I DISCHI DEL BARONE","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fcover13.jpg?v=1571718570"},{"product_id":"glands-of-external-secretion-s-t","title":"GLANDS OF EXTERNAL SECRETION - s\/t","description":"\u003cp\u003e\"Two six-minute montages of reversed mitosis episodes, in which scaly pods, ruptured eggs, and clumps of partially digested hair smush through one another and glom together in unstable strains of S-Glass-spanktified dad-noise. Backlit Colander With Holes Shaped Like Numbers crawls with bacteria from munched electronics, murmurs of a chimney-entrapped Frampton (plus camel, but that should go without saying), tape yoont teetering on the lip of a magnetic abyss, and piercing splats from tiny automatic paintball guns. “High” and “lonesome” are the operative descriptors of Bok Choy Festival: Barbara Mannings guitar loops backfire and self-annihilate in private spritz-overdose orgies; avian-constructed effigies of Annie Hayworth curdle; narration on the topic of body dysmorphia is provided courtesy of thrift store cassettes and a Sister Rosetta Thorpe quotation. Cover artwork by Karen Constance. 200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm.\" - Il Dischi Del Barone.\u003c\/p\u003e","brand":"I Dischi Del Barone","offers":[{"title":"7\"","offer_id":13354266296383,"sku":"21113-I DISCHI DEL BARONE","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/017-10.jpg?v=1571718570"},{"product_id":"thollot-jacques-more-intra-musique","title":"THOLLOT, JACQUES - More Intra Musique","description":"Restocked. Produced in collaboration with the legendary Jac Berrocals label dAvantage, More Intra Musique is the second LP in Alga Marghens series dedicated to previously unreleased recording by the drummer and experimentalist Jacques Thollot. While the furious Intra Musique free jazz first LP (ALGA 043LP, 2017) was centered on a live recording with Michel Portal, Eddie Gaumont, and Mimi Lorenzini at the Faculty of Law in Paris, on an evening in 1969, it is an unexpected Jacques Thollot that you encounter on this second LP, vivid and blazing even more than you might have already known. Jacques Thollot was a major force in the French free jazz scene, collaborating with artists at the level of Don Cherry, Steve Lacy, Sonny Sharrock, Joachim Kühn as well as with French pioneers Jef Gilson and Barney Wilen. Starting from 1971 he released Quand Le Son Devient Aigu, Jeter La Giraffe A La Mer or Watch Devil Go on Futura and Palm Records, or some of the most relevant and revolutionary sonic masterpieces in France. More Intra Musique is free improvisations of course, but also synthetic jitters, musique concrete, and loop experiments, sketched pop songs, minimalist trances with African accents, or simply the promiscuity of a lullaby or the voice of a child posed like a bird in a Norman garden. These long-lost visionary recordings featuring Eddie Gaumont on prepared piano and Jacques Thollot on drums, piano, prepared piano, synth, and tapes are an absolute revelation which make you rethink everything you know about French free improvisation. Tape manipulation created as a potential background for a live set... Bursting rehearsal with Eddie Gaumont... Is the piano well prepared? Besides the stingy mention Intra Musique sticked on the reel, nothing is known of this recording. Edition of 350 copies. - Alga Marghen.","brand":"Alga Marghen","offers":[{"title":"LP","offer_id":13354269540415,"sku":"21187-ALGA MARGHEN","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-12137635-1529055332-5463_jpeg.jpg?v=1571718572"},{"product_id":"henderikse-jan-alexandra-phillips-you-i","title":"HENDERIKSE, JAN\/ALEXANDRA PHILLIPS - You\/I","description":"\u003cp\u003e\"Edition of 250. Collaboration between the conceptual artist Alexandra Phillips and the legendary Jan Henderikse (1937) founder of the Dutch Zero group. An incredible audio montage of hundreds of clips with I and You\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\"Jan Henderikse (1937) is one of the founders of the Nederlandse Nul-beweging, the Dutch branch of the international Zero-group, active from 1960 to 1966. Henderikse has radically banned notions of authenticity, uniqueness and personal expression from his work since. Appropriation and recontextualisation of everyday materials, such as discarded objects and found photos and film footage, are a key strategy in Henderikses varied body of work. His work often has a deadpan sense of humour. Henderikse is the Buster Keaton of Zero.\u003cbr\u003e\u003cbr\u003eYou \u0026amp; I is a collaboration of Jan Henderikse and partner-in-crime Alexandra Phillips, a young American artist who currently lives in The Netherlands. Released by Slowscan as vol. 41, one side of this 10” black vinyl edition consists of a collage of the word you culled from all sorts of existing records, and a collage of the word I on the flip side. You \u0026amp; I is a beautiful piece of work with an iron inner logic and a warm sense of humour. The 10” comes with an insert by Pure Propaganda, a magazine run by Henderikse and Phillips. You \u0026amp; I. Always.\"\u003c\/p\u003e","brand":"Slowscan","offers":[{"title":"10\"","offer_id":13354270425151,"sku":"21216-SLOWSCAN","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11955342-1525426569-1330_jpeg.jpg?v=1571718573"},{"product_id":"chadwick-sarah-mary-sugar-still-melts-in-the-rain-special-edition","title":"CHADWICK, SARAH MARY - Sugar Still Melts In The Rain (Special Edition)","description":"\"Special Edition version includes an erotic Art Print by Sarah Mary Chadwick. Limited to 150 COPIES.\u003cbr\u003eMulti-instrumentalist and visual artist Sarah Mary Chadwick is not a new face to Melbourne's music community. After moving to Australia from her native New Zealand to pursue a career in music, Sarah spent a decade fronting the grunge band Batrider. Eventually becoming tired of the collaborative requirements intrinsic to band life, Sarah shifted her focus to songwriting independently, drawing inspiration from “weird old New Zealand musicians” like Peter Jefferies, Chris Knox, and Australia’s Pip Proud and the way they tinker away and work for decades for “little to no commercial success.” This inspiration is obvious in Sarah’s performance as she simultaneously savors and mocks the pedestal that her creativity affords her, acknowledging that “it's a position of power being on a microphone” and how “it's a desperate demand to be seen. It's funny and really sad.”\u003cbr\u003e\u003cbr\u003eTo listen to Sarah’s music is to be a quiet observer to her thoughts on love, death and mental health. Sometimes this anguish bears itself in sullen, quiet moments, but more often torment manifests at the break of Sarah’s voice as she sing-shouts painfully vulnerable, self-aware lyrics. This is all front and center on Chadwick’s newest Sugar Still Melts In The Rain. From the album's moody (though by SMC standards, uplifting) first track 'Flow Over Me' to its larger moments where Sarah cries 'raise your glass to my health and to everyone going away' in the title track, the album is undeniably committed to the uncomplicated, relying solely on piano, keys, bass and percussion.\u003cbr\u003e\u003cbr\u003eLearning that Sarah’s songwriting is thoroughly autobiographical is perhaps more unnerving than her artistic process of watching sexually charged movies to inspire her pornographic art. She drinks, she watches porn, she draws and she writes. When the blur of the evening fades, what remains is a colorful orgy on the page and Sarah’s recollections immortalized in ‘Wind Wool’, “oh no I’m losing memory, did we just piss away time? And does it matter anyway, I’ll die, you died, we die…”. To Sarah Mary Chadwick, all tragedy is comedy.\u003cbr\u003e\u003cbr\u003eSugar Still Melts In The Rain marks her first release for her new label Sinderlyn (home to Homeshake, Jaye Bartell and Tim Cohen). Having already released three solo records on Bedroom Suck, Siltbreeze and Rice Is Nice, this album is her 4th solo work. It was recorded and mixed by friend, musician and filmmaker Geoffrey O'Connor in Vanity Lair and Phaedra Studios in Melbourne. The album came together so quickly partly as a result of the duo's commitment to efficiency and partly due to Sarah's lack of attachment to the idea of “the perfect vocal take.” She knows she isn't a virtuoso; tongue firmly in check, she is quick to reference those limitations mockingly. Yet, it's within those boundaries that she thrives, disinterested in the perfect take in lieu of her best take – unique, somber and raw.\" - Sinderlyn.","brand":"Sinderlyn","offers":[{"title":"LP","offer_id":13572464312383,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/image_1024x1024_86d682cc-8c23-4e4b-8d4f-3c5b43ea280e.jpg?v=1571718573"},{"product_id":"gengras-m-geddes-light-pipe","title":"GENGRAS, M. GEDDES - Light Pipe","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"To summarize the work of \u003c\/span\u003e\u003cb\u003eM.Geddes Gengras\u003c\/b\u003e\u003cspan\u003e is no easy feat. A tireless artist, whose output sprawls across experimental dub, ambient and low-key techno, his wide-ranging discography reveals a curiosity that serves as a primary driver for creation. \u003c\/span\u003e\u003ci\u003eLight Pipe\u003c\/i\u003e\u003cspan\u003e is arguably Gengras's most ambitious recording project to date. His tenth solo recording is an epic undertaking, spanning over two-and-a-half hours. Across the two CD set, Gengras charts out evocative landscapes of texture and harmony. Working with very simple elements, he creates a tidal like sound space, where sound layers flow seamlessly, rising and falling with an ever-changing sense of motion. These pieces were written across several years responding to site specific performance situations. These include a durational performance in Los Angeles at The Getty Center's Irwin Garden, a special performance alongside the banks of the Los Angeles River and performances at the El Rey and Regent Theatres. Each disc in this edition focuses specifically on either interior or exterior spaces; the indoor and the outdoor, reflecting the specific conditions of how sound operates in these types of situations. \u003c\/span\u003e\u003ci\u003eLight Pipe\u003c\/i\u003e\u003cspan\u003e is a long-form work within which multiple states of listening are possible, and moreover encouraged. It's music that is ideal for deep immersion; for sleep, for flying and for any creative states within which a sense of expansion is needed. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eM.Geddes Gengras is an experimental composer and performer living in upstate New York. His works in the medium of modular synthesis comfortably straddle a variety of forms while remaining rooted in a deep affinity for the limitations of hardware synthesis and a keen ear for timbral manipulation. Presenting a spectrum that is very diverse in sonics and mood, the connecting thread between the extended ambient spaces and more jarring aspects is a meditative devotion to sound and process. Since 2011, he has released nine albums of solo material, both under his own name and his dance-music alias, \u003c\/span\u003e\u003cb\u003ePersonable\u003c\/b\u003e\u003cspan\u003e. He has shared stages with \u003c\/span\u003e\u003cb\u003eWilliam Basiniski\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTim Hecker\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eLaurel Halo\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eCurtis Roads\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSimian Mobile Disco\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDavid Toop\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJon Hassell\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eS U R V I V E\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eOM\u003c\/b\u003e\u003cspan\u003e, collaborated on stage and in studio with \u003c\/span\u003e\u003cb\u003eJoe McPhee\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJon Gibson\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eSun Araw\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eGreg Fox\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Congos\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eGeorgia\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eBill Kreutzmann\u003c\/b\u003e\u003cspan\u003e, as well as performing at the Los Angeles Natural History Museum, Museum of Contemporary Art, The Getty Center, Moogfest, Mutek_MX, and FORM Arcosanti.\" - Room40.\u003c\/span\u003e","brand":"Room40","offers":[{"title":"Double CD","offer_id":13729803075647,"sku":"","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RM498CD_CU.jpg?v=1571718575"},{"product_id":"radigue-eliane-geelriandre-arthesis","title":"RADIGUE, ELIANE - Geelriandre \/ Arthesis","description":"\u003cmeta charset=\"utf-8\"\u003eRestocked. \"Eliane Radigue's \u003ci\u003eGeelriandre \/ Arthesis\u003c\/i\u003e is named for the pieces that fill its two sides. \u003ci\u003eGeelriandre\u003c\/i\u003e, realized on an ARP 2500 synthesizer in 1972, features Gérard Fremy on prepared piano. \u003ci\u003eArthesis\u003c\/i\u003e, realized using the University of Iowa's Moog in 1973, comprises the full duration of side B. Eliane Radigue has received much deserved praise for her transcendent composiitions for tape, synthesizers, and acoustic instruments. Her work is deep, slowly changing, and timelessly resonant with slowly shifting timbres so dense that they seem infinite. Acute physicality, overtones, and psychoacoustic activity fills your space, follows you, grounds you, pulls you in or lets you go. It's all here\/hear. Pressed at RTI; first edition of 1000.\"","brand":"Important","offers":[{"title":"LP","offer_id":13953424293951,"sku":"","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/IMPREC464LP_CU.jpg?v=1571718581"},{"product_id":"engelen-william-today-the-organ-has-played-beautifully-again","title":"ENGELEN, WILLIAM - Today, The Organ Has Played Beautifully Again","description":"\"\u003cmeta charset=\"utf-8\"\u003eWilliam Engelen (born 1964 in Weert, The Netherlands) is a sound and visual artist living and working in Berlin. After having studied visual arts, his focus shifted over time from solely visual to multi-disciplinary works that oscillate between sound and visual arts, between exhibition and performance, and incorporate installation, sculptural, and compositional elements. He now considers himself a conceptual artist who works with sound. Many of his works are site-specific and have been presented and performed in museums, galleries, concert halls, private apartments, parks, urban spaces, amongst others. Unlike other sound artists, Engelen does not primarily try to make a space sound, but rather develops works that resonate and reflect the specific surroundings where they are presented. \u003ci\u003eToday, The Organ Has Played Beautifully Again\u003c\/i\u003e (2018) is Engelen's second LP release after \u003ci\u003ePartitur Belval\u003c\/i\u003e in 2016. The piece was written for his solo exhibition \"Heute Hat Die Orgel Wieder Schön Gespielt\" at Kunsthalle Osnabrück in Lower Saxony, Germany. The Kunsthalle building was once a Dominican monastery which, in 1713, became home to a pipe organ made by the famous Klausing workshop in Herford. In 1819, after the monastery had been secularized, the organ was moved to St. Matthäus church in Melle where it continues to be played to the present day. For the exhibition, Engelen decided to virtually bring back the organ to its original place. The piece was performed first for an audience at St. Mätthaus church on October 14th, 2018, then turned into an 8-channel sound installation for the Kunsthalle exhibition from November 2018 to January 2019. During the rehearsals and the concert, video recordings were made that were compiled into a 2-channel work. The fourth iteration of the piece is this double-LP album, recorded in the night of October 18th, 2018. Co-released by Kunsthalle Osnabrück and Edition Telemark. Full-color gatefold sleeve; printed inner sleeves.\" - Edition Telemark.\u003cbr\u003e\u003cbr\u003eWilliam Engelen: \"The air supply for this historic instrument can either be pumped by a motor or by sheer force, literally by stepping or pressing on the large bellows. Together with Stephan Lutermann, the church's regular organist, I explored and pushed the sonic boundaries and possibilities of the Klausing organ -- from the barely audible to the astonishingly raucous. While Stephan played the console, I served as the so-called calcant, or bellows blower, and in this role could decide the length and force of the air supply. Only four of the twelve parts are played with the help of the motor.\"","brand":"Edition Telemark","offers":[{"title":"Double LP","offer_id":14345165996095,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ET86405LP_CU.jpg?v=1571718599"},{"product_id":"phew-oren-ambarchi-jim-orourke-patience-soup","title":"PHEW\/OREN AMBARCHI\/JIM O'ROURKE - Patience Soup","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9IqEtFOmJM0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\"Patience Soup\u003c\/i\u003e\u003cspan\u003e presents the entirety of a live performance from the trio of \u003c\/span\u003e\u003cb\u003eOren Ambarchi\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJim O'Rourke\u003c\/b\u003e\u003cspan\u003e, and Japanese underground legend \u003c\/span\u003e\u003cb\u003ePhew\u003c\/b\u003e\u003cspan\u003e that took place at the Kitakyushu Performing Arts Center on November 4th, 2015. Known to many listeners outside Japan primarily for her early collaborations with members of \u003c\/span\u003e\u003cb\u003eCan\u003c\/b\u003e\u003cspan\u003e, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on most of her past releases to focus solely on her raw DIY electronics and possessed vocal stylings. Forming a perfect companion to 2017's well-received \u003c\/span\u003e\u003ci\u003eVoice Hardcore\u003c\/i\u003e\u003cspan\u003e, a series of pieces composed of only her processed voice that saw Phew push her work into the most abstract terrain yet, \u003c\/span\u003e\u003ci\u003ePatience Soup\u003c\/i\u003e\u003cspan\u003e finds the trio inhabiting an uneasy landscape of moans, howls, and smeared electronic sonorities. Presented in atmosphere-enhancing room fidelity, the set begins in crunching textural abstraction and Phew's vocal asides, set against a backdrop of Ambarchi's shimmering Leslie-cabinet guitar tones and O'Rourke's synthetic slivers. A testament to the risk-taking prowess of these three master improvisers, the performance moves organically from ecstatic crescendos powered by Phew's processed wails to moments of near-silence in which a translucent veil of lingering electronic tones is gently punctuated by O'Rourke's chiming piano chords. Constantly shifting, both harmonically and dynamically, \u003c\/span\u003e\u003ci\u003ePatience Soup\u003c\/i\u003e\u003cspan\u003e is suffused throughout with a haunted energy and shows these three established figures continuing to venture out into uncharted territory. Presented in a deluxe sleeve with stunning images by \u003c\/span\u003e\u003cb\u003eTraianos Pakioufakis\u003c\/b\u003e\u003cspan\u003e and an inner sleeve with live pics from \u003c\/span\u003e\u003cb\u003eMike Kubeck\u003c\/b\u003e\u003cspan\u003e. Design by \u003c\/span\u003e\u003cb\u003eStephen O'Malley\u003c\/b\u003e\u003cspan\u003e. Mastered and cut by \u003c\/span\u003e\u003cb\u003eRashad Becker\u003c\/b\u003e\u003cspan\u003e at Dubplates \u0026amp; Mastering, Berlin.\" - Black Truffle.\u003c\/span\u003e","brand":"Black Truffle","offers":[{"title":"LP","offer_id":14479715467327,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BT046LP_CU.jpg?v=1571718602"},{"product_id":"tapscott-horace-with-the-pan-afrikan-peoples-arkestra-live-at-i-u-c-c-1","title":"TAPSCOTT, HORACE WITH THE PAN-AFRIKAN PEOPLES ARKESTRA - Live At I.U.C.C.","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Available on vinyl for the first time in 40 years, Outernational Sounds presents a crucial document from the Los Angeles jazz underground. \u003ci\u003eLive At I.U.C.C.\u003c\/i\u003e sees the Pan-Afrikan Peoples Arkestra at their most together, stretching out on home turf in 1979, with the legendary Horace Tapscott at the helm. Tapscott is one of the unsung giants of jazz; a gifted composer and arranger, a boldly original pianist, and above all a visionary bandleader, Tapscott's recorded footprint is small, but his legacy continues to vibrate through the Los Angeles music underground. From Freestyle Fellowship to Build An Ark, Kamasi Washington, and Dwight Trible, it all traces back to Tapscott. The pianist was an organizer, and instead of chasing a successful recording career, he wanted to build a community band that would act as 'a cultural safe house for the music.' 'I wanted to say, \"This is your music. This is black music, and I want to present a panorama of the whole thing right here\"' said Tapscott in the late 1990s. As a culturally radical, communal big band with a visionary approach to American Black music, Tapscott's Pan-Afrikan Peoples Arkestra is second only to the other famous Arkestra, that of Sun Ra. Tapscott founded the group in 1961 as the Underground Musicians Association (UGMA). It changed its name to the Pan African Peoples Arkestra in 1971, and through the seventies the players lived, played, and worked together. Community work and political consciousness were at the heart of the project; for two decades they played in streets, parks, and coffee houses. From 1973 to 1981 their main rehearsal and concert space was the Immanuel United Church of Christ (I.U.C.C.); the Arkestra played every second Sunday, developing their sound and hipping new audiences to their vision. \u003ci\u003eLive At I.U.C.C.\u003c\/i\u003e, recorded in early 1979, was the only live recording the band released. In full flow, and at the height of their powers, the group features original UGMA members Linda Hill, David Bryant, and Alan Hines, alongside a new generation including Jesse Sharps, Sabir Mateen, and Adele Sebastian. Showcasing spiritualized classics from the Arkestra's songbook, including the heavy modal groovers \"Desert Fairy Princess\" and \"Macrame.\" \u003ci\u003eLive At I.U.C.C.\u003c\/i\u003e is a rare chance to hear one of the most important, foundational bands in the music. With Tapscott at the piano, this is the rarely-captured sound of the mothership in full flight! Limited, vinyl-only triple LP, 180g pressing by Pallas. Fully licensed from Nimbus West founder Tom Albach.\" - Outernational Sounds.\u003c\/div\u003e","brand":"Outernational Sounds","offers":[{"title":"Triple LP","offer_id":14896196190271,"sku":"","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/OTR007LP_CU_d727e70f-3010-484f-8846-375b1b0f7696.jpg?v=1571718604"},{"product_id":"de-fabriek-made-in-spain","title":"DE FABRIEK - Made In Spain","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003eRESTOCKED\u003c\/div\u003e\n\u003cdiv\u003eOfficial reissue of \u003ci\u003eMade In Spain\u003c\/i\u003e, the experimental industrial electronic classic by De Fabriek originally released by Discos Esplendor Geométrico in 1987.\u003cbr\u003e\u003cbr\u003e\"A bunch of friends whom knew each other from the city of Zwolle, and as such they recorded their first LP \u003ci\u003eSchafttijdsamba\u003c\/i\u003e at home in 1980. After that the group splintered and expanded, odd as it may sound. The original core went each own way and De Fabriek sought outside help. This was a time of independent cassette culture, home production of music, corresponding and mail art and so it happened membership, co-workers in De Fabriek lingo, were fanatical home tapers around the world, with a director at the helmet in Zwolle, albeit not a director not in the capitalist sense of the word, but someone directing the sound. Listening to the cassettes received, deciding upon order and layering of various sounds. For \u003ci\u003eMade In Spain\u003c\/i\u003e De Fabriek headed out to Nijmegen, Studio De Tempel, and home of Mekanik Kommando. But workers and a director are not enough for a factory, it also needs machines, and machines were plenty around in De Tempel. Following a decision on what goes where along with what other received contribution, and then mixed together, using the vast amounts of effects racks available in this studio, which put their fingerprint on this record. \u003ci\u003eMade In Spain\u003c\/i\u003e was an expansion of an earlier release 'Mont Cantis', slightly the same yet significantly different and exploring the industrial sound a bit further, taking cues no doubt from the music of Esplendor Geometrico, taking matters a bit further and deeper, to stay within the theme of old mines in the German Ruhr area that runs through these ten pieces, this is a record that at that time saw De Fabriek fully connecting to the industrial scene without forgetting their earlier post-punk and krautrock roots. Yet unlike so many other industrialists back in the day, De Fabriek always remains to have some melody to be part of their music. It is not the noise for the sake of noise.\" --Frans De Waard, September 2018\u003c\/div\u003e","brand":"B.F.E.","offers":[{"title":"LP","offer_id":14986295345215,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BFE049LP_CU.jpg?v=1571718607"},{"product_id":"ravenstine-allen-four-stories","title":"RAVENSTINE, ALLEN - Four Stories","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Slim, 44-page perfect bound, paperback containing four stories. Illustrated by Mary Thomas. These four stories were written while Allen was working and touring with the Cleveland band, Pere Ubu, and refer directly to those years. Previously published in The Cleveland Edition, The Re Records Quarterly and The Penguin Book of Rock and Roll Writing. Allen Ravenstine was born in Canton, Ohio in 1950. In 1968 his parents were killed in a car crash. He was a student at Ohio State University when students protesting the Vietnam War were shot at Kent State. All universities in Ohio closed, so he left Columbus, where he was studying English literature, never to return. In the following years he worked with an EML analog synthesizer and a Teac four-track tape recorder and in 1974 bought the Plaza, a ramshackle apartment building in Cleveland's inner city, which soon became the home of painters, poets, writers and musicians. In 1975, he co-founded the legendary Cleveland band, Pere Ubu in which he worked until 1988... leaving to become an airline pilot. Taking up music again in 2012, he appeared with Robert Wheeler in the film 'I Dream of Wires', recorded two album length records, 'Farm Report' and 'City Desk'. In 2014, he released his first solo CD, 'The Pharaoh's Bee'. The critically acclaimed 'Waiting for the Bomb' followed in 2018. Allen lives in New York City with his wife Ann.\" - ReR Megacorp.\u003c\/span\u003e","brand":"ReR Megacorp","offers":[{"title":"Book","offer_id":15008326778943,"sku":"","price":11.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/RERARBOOK1_CU.jpg?v=1571718627"},{"product_id":"hayward-charles-begin-anywhere","title":"HAYWARD, CHARLES - Begin Anywhere","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRESTOCKED \"Charles Hayward is an English drummer and was a founding member of the experimental rock groups This Heat and Camberwell Now. He also played with Mal Dean's Amazing Band, Dolphin Logic, and gigged and recorded with Phil Manzanera in the group Quiet Sun project as well as a short stint with Gong. He was a session musician on The Raincoats' second album, \u003c\/span\u003e\u003ci\u003eOdyshape\u003c\/i\u003e\u003cspan\u003e, and on one occasion played drums for the anarchist punk band Crass. Since the late 1980s he has concentrated on solo projects and collaborations, including Massacre with Bill Laswell and Fred Frith. His first solo record, \u003c\/span\u003e\u003ci\u003eSurvive the Gesture\u003c\/i\u003e\u003cspan\u003e, was released in 1987. Since then, he has released 10 more long players, and has been touring with the reformed This is not This Heat. \u003c\/span\u003e\u003ci\u003eBegin Anywhere\u003c\/i\u003e\u003cspan\u003e is his brand new solo album and shows a different side to the Charles Hayward we know. The drum set is left in the corner, and instead we get fragile yet powerful songs on piano and voice. A very personal Hayward album, let yourself be surprised.\" - Klanggalerie.\u003c\/span\u003e","brand":"Klanggalerie","offers":[{"title":"CD","offer_id":15199797084223,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GG301CD_CU.jpg?v=1571718629"},{"product_id":"sales-de-bano-geometria-del-vinculo","title":"SALES DE BANO - Geometria Del Vinculo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Based in the city of Buenos Aires, Argentina, Sales de Baño is a group that brings together musicians of different nationalities. Led by Colombian composer and bassist Carlos Quebrada, their sound explorations have led them to expand the languages of jazz, and incorporate elements of experimental rock, contemporary music, and free improvisation. \u003ci\u003eGeometría Del Vínculo\u003c\/i\u003e (Geometry of the bond) is Sales de Baño's third album, can be understood as an avant-garde jazz album which is also connected with the spirit of Rock in Opposition. The ostinati converse with free forms, in sequences that can lead to attacks of noisy abstraction, which spring from both rock and free jazz, then go back and build complex sonic architectures where the guitar and the trumpet are featured as solo instruments. \u003ci\u003eGeometría Del Vínculo\u003c\/i\u003e confirms Sales de Baño as one of the most innovative groups of the Argentinean experimental scene, a scene that has brought to international attention other notable groups, and of similar concerns, such as Nicotina es Primavera or El devenir del Río. Sales de Baño is: Carlos Quebrada - bass, composition; Federico Isasti - drums; Andrés Marino - piano, keyboards, electronics; Camilo Ángeles - flutes; Mariano Cepeda - electric guitar; Agustín Zuanigh - trumpet.\" - Buh.\u003c\/div\u003e","brand":"Buh","offers":[{"title":"LP","offer_id":15417945030719,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/BR110LP_CU.jpg?v=1571718631"},{"product_id":"imaginary-softwoods-gold-fiction-loop-garden","title":"IMAGINARY SOFTWOODS - Gold Fiction Loop Garden","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Field Records present the first vinyl edition of John Elliott's previously cassette-only album titled \u003ci\u003eGold Fiction Loop Garden\u003c\/i\u003e from 2016. Aside from curating the Spectrum Spools imprint and taking part in the bands Emeralds, Organic Dial, and Outer Space, Elliott has put out two absorbing solo albums over the last ten years. His solo works as Imaginary Softwoods fit in the tradition of kosmische greats without ever delving into pastiche. This third album from Elliott features a collection of short loops, recorded live to two-track digital using analog synthesizers, Mellotron M400, and multiple arrays of configured FX processes in Cleveland, Ohio. The nine tracks are widescreen meditations on pastoral ambience. Gently rising and falling chords, mellifluous pads that slow fall from the sky and ever evolving patterns of melodic beauty range from innocent and youthful to more somber and reflective. It is a beautifully absorbing listen that is perfect audio therapy for the mind.\" - Field.\u003c\/div\u003e","brand":"Field","offers":[{"title":"LP","offer_id":15417962659903,"sku":"","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/FIELD029LP_CU.jpg?v=1571718631"},{"product_id":"orfeon-gagarin-voces-a-45","title":"ORFEON GAGARIN - Voces A 45","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eWhite vinyl. Edition of 250. \"Orfeon Gagarin is the Miguel A. Ruiz's main project, a veteran electronic musician from Madrid (Spain). Ruiz's music has been the best-kept secret of Spanish underground electronics since the early '80s until now, although he's not as well known internationally as other contemporary musicians (Esplendor Geométrico, Francisco López, or Diseño Corbusier, to name but a few). In 1986 he released his first cassette on his own (now legendary) Toracic Tapes label. Since then he has remained active at the international network of independent electronic music and has collaborated with musicians from different countries such as Cisfinitum (Codachrom), Siegmar Fricke (Efficient Refineries), Dieter Mauson, Francisco López, Stefano Barban, etc. Ruiz has composed many solo albums in all formats, especially on cassette, using several aliases: Funeral Souvenir, Exhaustor, Michel Des Airlines, Ventral Metaphor, apart from Orfeon Gagarin. His first vinyl LP was \u003ci\u003eEncuentros En La Tercera Edad\u003c\/i\u003e (1991) produced by the German electronics master Asmus Tietchens on his label Hamburger Musikgesellschaft. In addition, he has published with other respected international labels like Discos Esplendor Geométrico, Old Europa Café, Aquarelist, Monochrome Vision, Menstrual Recordings, etc. Fascinated by the sonic possibilities of analog and digital synthesizers and other studio techniques, Ruiz's style is fantastic and surprising, with an imagination that can be considered as overwhelming. Science, technology, Soviet space race, Borges, surrealism, clinical pathologies, black humor, or extra-planetary life -- whatever eccentricity has a place within the microcosm of this artist. He has a wide range of musical references: post-industrial music from the eighties recorded in home studios, German cosmic music from the '70s, pioneers of electro-acoustic music, Japanese techno pop, old and strange film soundtracks, retro-futurism, mutant pop, ambient, etc. At present, Ruiz is experiencing one of the most active and best creative moments, performing more than ever and being discovered by a new generation of young Spanish electronic musicians who look for his works and admire him. \u003ci\u003eVoces A 45\u003c\/i\u003e is his latest album, a vinyl LP with nine tracks recorded in 2018 at his own Toracic Studio. It's the seventh work as Orfeon Gagarin, the previous one, \u003ci\u003eContestación Capilar\u003c\/i\u003e, was released 25 years ago on CD (1994). Cover artwork by Alonso Urbanos.\" - Geometrik\u003c\/div\u003e","brand":"Geometrik","offers":[{"title":"LP","offer_id":15418024951871,"sku":"","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GR2146LP_CU.jpg?v=1571718631"},{"product_id":"bagueste-justo-suso-saiz-inducing-the-pleasure-dreams-v2","title":"BAGUESTE, JUSTO \u0026 SUSO SAIZ - Inducing The Pleasure Dreams V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003eEdition of 500.\"In 1995 Justo Bagüeste released a record called \u003ci\u003eI.P.D.\u003c\/i\u003e; it claimed to induce in the listener a pleasant dream, heading for the final sprint towards that collective promise beyond the end of the millennium. \u003ci\u003eI.P.D.\u003c\/i\u003ewas some sort of \u003ci\u003eGoldberg Variations\u003c\/i\u003e for the turn of the century, played on mini-Moogs, short-wave radios and analog synths. In 2016, Bagüeste and Suso Saiz (producer of \u003ci\u003eI.P.D.\u003c\/i\u003e) performed at Periferias Festival in Huesca; they were to play a reinterpretation of the recording they had made twenty years before. However, Bagüeste and Saiz didn't appear nostalgic nor revisionist: just a certain atmosphere and a few samples linked the concert to the 1995 recording. Firmly stuck in that moment, they offered a session of sonic haze based on dialog and improvisation -- the 40 minutes of music presented here stem from that haze. Like a vitalist statement, a heartbeat and a human voice open the first track, \"Nóstos\". One is then plunged into a boundless sea of textures and synthetic serpentines entitled \"Margen de Indefinición\" (Margin of Vagueness). Soon, some rhythmic turbulence shows up, evoking a dream of \"Despertar\" (Awakening) between faraway saxophones, glided guitars, reminiscences of Popol Vuh and Tangerine Dream. The final stretch starts in tension, mired in an inner conflict \"Cerca de Algún Lugar\" (Close To Somewhere). After a shamanic-like voice, the session leads to a backwater of spacious ambient music with stitches of sax and guitar, describing a transcendental \"Implosión\" (Implosion) ended with unrepentant heartbeats again. This re-reading of \u003ci\u003eI.P.D.\u003c\/i\u003e is like an agile pirouette against the inertia of time; it reminds one how intimately electronic music has been related to spirituality since the beginning, and how that bond seems to have diluted in the 21st century, in the factual setting of so many utopian fantasies from the past. Bagüeste and Saiz evoke the enthusiasm of the future pasts. They recall that promise of plenitude through technology that never was. At the same time, they update that promise before our ears, naturally and fully aware.\" - Javier Aquilué.\u003c\/div\u003e","brand":"Geometrik","offers":[{"title":"LP","offer_id":15418094846015,"sku":"","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/GR2147LP_CU.jpg?v=1571718631"},{"product_id":"coil-theme-from-the-gay-mans-guide-to-safer-sex","title":"COIL - Theme From The Gay Man's Guide To Safer Sex","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Musique Pour La Danse present Coil's unreleased soundtrack for the VHS only, pre-internet, sexual education documentary entitled \u003ci\u003eThe Gay Man's Guide To Safer Sex\u003c\/i\u003e released in 1992. Members for this project were John Balance, Peter \"Sleazy\" Christopherson, and Danny Hyde. The OST, to quote John Balance's interview for Compulsion Online, \"is [a] slightly new age-y, progressive house type thing\". Another way to approach it is as a delightful collection of Balearic beats, smoking jazz not far removed from Badalamenti's work with David Lynch, somewhat of an ambient house album for your home listening and early morning sunrise dances, Coil style. Taken from the original masters provided by Danny Hyde, \u003ci\u003eThe Gay Man's Guide To Safer Sex\u003c\/i\u003e features a new sexy edit of the main theme. Bonus tracks \"Nasa-Arab\" and \"Omlagus Garfungiloops\" are taken from the 1992 CD-only release \u003ci\u003eStolen And Contaminated Songs\u003c\/i\u003e, both being original versions of the radically reworked (for the OST) \"Nasa-Arab 2\" and \"Exploding Frogs\" in order to balance the whole album and extend the listening pleasure.\" - Musique Pour La Danse.\u003c\/div\u003e","brand":"Musique Pour La Danse","offers":[{"title":"CD","offer_id":15418106642495,"sku":"","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MPD018CD_CU.jpg?v=1571718631"},{"product_id":"zweikommasieben-18","title":"ZWEIKOMMASIEBEN - #18","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"In its 18th edition, \u003ci\u003ezweikommasieben\u003c\/i\u003e once again collects numerous suggestions for how one can arrive at other perceptions of the world and make use of them. The many artists, musicians, and contributors featured tell of other ways of seeing and hearing, other ways of experiencing. Artists are experts at developing new perceptions. For example, when new contexts for performances or presentations are sought -- like Gerben de Louw for the Dutch label Queeste. Meanwhile, performer Sue Tompkins emphasizes how different contexts and locations can serve as catalysts for other occasions. And Nkisi not only has another view of the world, but choses the very possibility of looking at other worlds as a pseudonym. In Bogomir Doringer's project \u003ci\u003eI Dance Alone\u003c\/i\u003e, another view was developed in the modern sense of media technology: he hangs cameras from the ceilings of clubs and festival tents, in order to look at the dance floor from a bird's-eye-view. Here, a new way of seeing turns into language -- just like a new way of hearing sounds can fuel new writing, as Alexander Iadorola shows in his poetic review of the mineral sounds of Lechuga Zafiro and Catherine Christer Hendrix. All of these attempts and experiments are the inspiration for a magazine that not least sets out to document contemporary music and sounds through such a diversity. Instead of presenting one single perspective, \u003ci\u003ezweikommasieben \u003c\/i\u003ehopes that their astonishment at the artistic knowledge developed through these various new efforts will be shared by its readers. Interviews with Acolytes, DJ Heroin, DJ Lycox, Eartheater, Lorenzo Senni, Nkisi, Sue Tompkins, Upsammy, and Vladimir Ivkovic; portraits of Queeste -- essays on mineral sounds, artistic research on dancefloors, platform capitalism and noise, as well as a photo essay of crowds at Rewire Festival -- a column on the end of club culture, pictures from Georg Gatsas as well as poetry with \"Sound Texts\" -- contributions by Belia Winnewisser \u0026amp; Vinzenz Meyer, Pierre Berthet as well as Tomoko Sauvage.\" - Prasens Editionen. Bilingual: English\/German; 144 pages size: 22x30cm; edition of 2000.\u003c\/div\u003e","brand":"Prasens Editionen","offers":[{"title":"Mag","offer_id":15418122600511,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MAGAZIN018_CU.jpg?v=1571718631"},{"product_id":"alesia-cosmos-aeroproducts","title":"ALESIA COSMOS - Aeroproducts","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Rotorelief present a reissue of Alésia Cosmos's \u003ci\u003eAeroproducts\u003c\/i\u003e, originally released in 1985. Includes bonus material. In the '80s, Alésia Cosmos was one of those pioneering groups that invented a handful of things: uprooted electro, pop-shifted, funk. With some synths, rhythm boxes, magnetic tapes, crazy guitars, and hallucinated voices, AC rocked the underground for four years, with two albums, playing live in France and Europe. The dazzling epic of the magic combo has become legendary in the margin of new European music. The first LP, \u003ci\u003eExclusivo!\u003c\/i\u003e, was self-produced in 1983 and marks the beginning of the association between Bruno de Chénerilles, Pascal Holtzer, and Marie-Berthe Servier who constituted the hard core of Alésia Cosmos. Forming an underground label, mail order, and radio station, the three musicians were also activists in the musical underground so fertile in the '80s. In 1985, the second album \u003ci\u003eAeroproducts\u003c\/i\u003e was published by the Swiss label Hat Hut Records. Recorded, produced, and designed by the group, the object to the three photos captured in the windows of the Musée Zoologique de Strasbourg, was not quite a double-LP, because it contained only three sides of recorded music. In early 2017, the Californian label Dark Entries reissued \u003ci\u003eExclusivo!\u003c\/i\u003e Rotorelief engages in a longer process of new production from the second album \u003ci\u003eAeroproducts\u003c\/i\u003e. In 2018, the rediscovery at the end of the archives of the group of intact multitrack analog tapes coming directly from the studio sessions used for \u003ci\u003eAeroproducts\u003c\/i\u003e allowed a remixing, a new mastering, with some new versions and bonus tracks, produced just before or after the period of activity of Alésia Cosmos. Housed in a DVD-sized digipak; limited, numbered edition of 500.\" - Rotorelief.\u003c\/div\u003e","brand":"Rotorelief","offers":[{"title":"Double CD","offer_id":15418131218495,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ROTOR074CD_CU.jpg?v=1571718631"},{"product_id":"alesia-cosmos-aeroproducts-1","title":"ALESIA COSMOS - Aeroproducts","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Rotorelief present a reissue of Alésia Cosmos's \u003ci\u003eAeroproducts\u003c\/i\u003e, originally released in 1985. Includes bonus material. In the '80s, Alésia Cosmos was one of those pioneering groups that invented a handful of things: uprooted electro, pop-shifted, funk. With some synths, rhythm boxes, magnetic tapes, crazy guitars, and hallucinated voices, AC rocked the underground for four years, with two albums, playing live in France and Europe. The dazzling epic of the magic combo has become legendary in the margin of new European music. The first LP, \u003ci\u003eExclusivo!\u003c\/i\u003e, was self-produced in 1983 and marks the beginning of the association between Bruno de Chénerilles, Pascal Holtzer, and Marie-Berthe Servier who constituted the hard core of Alésia Cosmos. Forming an underground label, mail order, and radio station, the three musicians were also activists in the musical underground so fertile in the '80s. In 1985, the second album \u003ci\u003eAeroproducts\u003c\/i\u003ewas published by the Swiss label Hat Hut Records. Recorded, produced, and designed by the group, the object to the three photos captured in the windows of the Musée Zoologique de Strasbourg, was not quite a double-LP, because it contained only three sides of recorded music. In early 2017, the Californian label Dark Entries reissued \u003ci\u003eExclusivo!\u003c\/i\u003e Rotorelief engages in a longer process of new production from the second album \u003ci\u003eAeroproducts\u003c\/i\u003e. In 2018, the rediscovery at the end of the archives of the group of intact multitrack analog tapes coming directly from the studio sessions used for \u003ci\u003eAeroproducts\u003c\/i\u003e allowed a remixing, a new mastering, with some new versions and bonus tracks, produced just before or after the period of activity of Alésia Cosmos.\" - Rotorelief.\u003c\/div\u003e","brand":"Rotorelief","offers":[{"title":"Double LP","offer_id":15418150191167,"sku":"","price":46.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ROTOR074LP_CU.jpg?v=1571718631"},{"product_id":"v-a-the-other-side-of-italy-the-beginning-of-the-post-punk-and-art-rock-era","title":"V\/A - The Other Side Of Italy: The Beginning of The Post-Punk and Art-Rock Era","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"RSD 2018 release. Collected here in a deluxe boxed-set for Record Store Day 2018 is four of the finest Spittle compilations of 1980s Italian post-punk, art-rock, and synth-wave. \u003ci\u003eMilano New Wave: 1980-83 Redux\u003c\/i\u003e, \u003ci\u003eSamples Only\u003c\/i\u003e, \u003ci\u003eiV3SCR (The Great Complotto 2)\u003c\/i\u003e, and \u003ci\u003eBody Section\u003c\/i\u003e feature some of the heavy hitters of the era including Die Form, Frigidaire Tango, Rinf, and more as well as more obscure artists who may have only appeared ever on these comps.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eMilano New Wave: 1980-83 Redux\u003c\/i\u003e: Twelve tracks that recount the salient steps of the brief but intense career of four Milanese bands from the post-punk of Other Side, to the oblique funk of State Of Art, to the Kraftwerk influences of La Maison, to the electro pop-wave of Jeunesse d'Ivoire. \"Boris Karloff\" features Kubrix and 2+2=5 playing with La Maison, forming the group known as Entourage L'Asino. These four bands illustrate the mood of an underground scene that burned out rapidly, mostly due to the indifference of the media and recording industry during those years.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSamples Only\u003c\/i\u003e: First ever reissue of a sought-after Italian compilation highlighting all the potential of the northeastern Italian post-punk scene, originally released in 1981. Starring Ruins, European Stage, Kitsch Putsch, Art Déco, and R.A.R.A., \u003ci\u003eSamples Only\u003c\/i\u003e is your kind of compilation if you're aware of the development of the new romantic and synth wave scene.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eiV3SCR (The Great Complotto 2)\u003c\/i\u003e: The second chapter in the \u003ci\u003eGreat Complotto\u003c\/i\u003e manifesto from Pordenone (birthplace of Italian punk). Originally issued in 1983, though most of its songs were recorded in 1981, Italian Records' second compilation of Italian punk is even more attractive than its first (\u003ci\u003eThe Great Complotto - Pordenone\u003c\/i\u003e). What glues together all the contributors (Sexy Angels, Gigolo' Look, Cancer(credited on the cover as 0010110000010011), and Mess) is their innovative and creative use of electronics. Includes CD which includes Andy Warhol Banana Technicolor, Fhedolts, Mind Invaders, and Sexy Angels; Includes five bonus track.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eBody Section\u003c\/i\u003e: Originally released in 1983 on Electric Eye just as the \"new Italian rock\" movement was beginning to gain momentum, this compilation reflects the impact of a \"post-Joy Division\" British new wave on the genre. Divided into two sections, the softer \"blue section\" and the more electric \"red section\". Features Modo, Monuments, Jeunesse d'Ivoire, Frigidaire Tango, Kirlian Camera, Litfiba, Diaframma, Vox Rei, Die Form, and Rinf.\"\u003c\/div\u003e","brand":"Spittle","offers":[{"title":"4 LP \u0026 CD Box Set","offer_id":15418165657663,"sku":"","price":67.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SPITTLE003BOX_CU.jpg?v=1571718631"},{"product_id":"muslimgauze-babylon-is-iraq","title":"MUSLIMGAUZE - Babylon Is Iraq","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEdition of 500 (numbered). \"Unsurprisingly for a creator as prolific as Muslimgauze's Bryn Jones was, when he was asked for a contribution for any sort of group project, he would tend to provide more options than necessary. In the case of longtime label Staalplaat's 1996 compilation \u003ci\u003eSonderangebot\u003c\/i\u003e, where Jones would find himself in the company of everyone from Charlemagne Palestine to Reptilicus, the selected track was the characteristically head-spinning \"Kaliskinazure\", nine minutes of insistent digital percussion bouncing the listener back and forth between samples of wailing women's voices and a trebly, blurry little whirr that traces the percussion. It's distinctive enough even among the vast Muslimgauze corpus, but as the continued excavation of DATs Jones submitted to his labels continues, sure enough there's more to that track's story, too. An extended \"Kaliskinazure\" makes up the second of four tracks on \u003ci\u003eBabylon Is Iraq\u003c\/i\u003e, although it's been lost to the mists of time whether an outside editor excised the more drifting, less needling coda that makes up the extra six minutes found here, or whether Jones simply submitted both versions of the track at different times. This more complete version of \"Kaliskinazure\" is surrounded by shorter tracks, with the opening \"Kaliskinazure _ Momada\" sounding not very much like either track it references (instead being a barely-there wisp of far-away sampled wind instruments and what sounds like treated cymbal sounds) and the title track constantly coming to a full, roiling digital boil. The lengthy \"Momada\" closes out the album with a different, more tersely internal arrangement surrounding the same percussion pattern that will be familiar to any \u003ci\u003eSonderangebot \u003c\/i\u003efans, although the way the quieter atmosphere transforms the feeling of that rhythm indicates once more than Jones's way of reconfiguring his pieces over and over was perhaps more purposive and even more effective than he's sometimes given credit for. The result is a fascinating expansion on one of Muslimgauze's strongest stand-alone moments, as well as a fitting tribute to an artist who would never give you a track if an album would do. such strong powers of suggestion. Cover made of 1mm thick bleu cardboard, sewed, text silver glitter screen-print, black image, name, and side lines are lasercut -- All done by hand! All tracks written, performed, mixed by Muslimgauze. Recorded, engineer, mixed by John Delf. Unreleased material.\" - Staalplaat.\u003c\/div\u003e","brand":"Staalplaat","offers":[{"title":"LP","offer_id":15418191282239,"sku":"","price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ARCHIVE049LP_CU.jpg?v=1571718632"},{"product_id":"ratti-nicola-continental","title":"RATTI, NICOLA - Continental","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ci\u003e\"Continental is the new full-length solo record by Milan-based multi-instrumentalist Nicola Ratti, following recent releases on Where to Now? and Room40. Conceived of by Ratti as a \"series of big rooms or places to get lost in, full of small details and characterized each by a single flavor or perfume,\" it is a surprising and vibrant collection of music. Working with a palette of spare, expertly deployed percussive synthesis techniques, Ratti's work here is both labyrinthine and concise. These eight tracks are able to evoke spaces real and imagined with startling efficiency and clarity. Sprawling old world libraries, cliff caves inhabited by dripping water and rock doves, an automaton nearly slipping its axis but recovering just in time and finding a new sense of purpose in the process. Ratti forms the duo Bellows with Giuseppe Ielasi. \"Cuarto\" features Dale Cornish. Includes download code; first edition of 300.\" - Students of Decay.\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/770487546\u0026amp;color=%23ff0000\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/i\u003e\n\u003c\/div\u003e","brand":"Students of Decay","offers":[{"title":"LP","offer_id":15418218217535,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/SOD121LP_CU.jpg?v=1571718632"},{"product_id":"haino-keiji-charles-hayward-a-loss-permitted-to-open-its-eyes-for-but-three-hours-and-there-glimpsed-finally-in-focus-a-mystery-that-begs-earnestly","title":"HAINO, KEIJI \u0026 CHARLES HAYWARD - A Loss Permitted To Open Its Eyes For But Three Hours And There Glimpsed, Finally In Focus A Mystery That Begs Earnestly...","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Full title: \u003ci\u003eA Loss Permitted To Open Its Eyes For But Three Hours And There Glimpsed, Finally In Focus A Mystery That Begs Earnestly, \"Ask Me Nothing\" Now, Once More The Problem Is Yours Alone\u003c\/i\u003e. Experimental music pioneer Keiji Haino, one of the most mysterious and influential figures to emerge from the Japanese psychedelic underground, teams up with Charles Hayward, British drummer and founding member of This Heat and Camberwell Now, on a new live album released on ThirtyThree ThirtyThree. \u003ci\u003eA Loss Permitted...\u003c\/i\u003e comprises a live recording of the duo's improvised performance at the Copeland Gallery in London in July 2016, presented as part of ThirtyThree ThirtyThree's performance series Japan: London. The result is fascinating: a mix of air synths, distortions, improvised Japanese poetry and warped guitar sounds. Sedate harmonica and guitar sections give way to cosmic din or an equally unnerving silence, in a performance All About Jazz described as having \"\u003ci\u003eno sense of logic, only silence where the tension seemed to build, then finally release\u003c\/i\u003e\". It's not the first time Haino and Hayward have worked together -- Hayward's rare album \u003ci\u003eDouble Agent(s)\u003c\/i\u003e(1998) documents their improvisational sparring live in Japan in 1998. Both are restless collaborators: Haino has played with Derek Bailey, Tony Conrad, Jim O'Rourke, Pan Sonic, and Stephen O'Malley, as well as in his own groups Fushitsusha, Nazoranai, and Nijiumu, among others; while Hayward's collaborators have included Fred Frith, Thurston Moore, and Laura Cannell. \u003ci\u003eA Loss Permitted...\u003c\/i\u003e sees these two visionary musicians revisit their partnership, creating a sound that is at turns contemplative and ferocious -- and always completely compelling.\" - Thirtythree Thirtythree.\u003c\/div\u003e","brand":"Thirtythree Thirtythree","offers":[{"title":"LP","offer_id":15418271891519,"sku":"","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/TTTT004LP_CU.jpg?v=1571718632"},{"product_id":"comus-first-utterance","title":"COMUS - First Utterance","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003ci\u003eFirst Utterance\u003c\/i\u003e\u003cspan\u003e is the debut album of the progressive folk band Comus. It was released in 1971, with the opening song 'Diana' being released as a single. The album was notable for its unique blend of progressive rock, folk, psychedelia, and elements of paganism and the macabre. The overall thematic tone of the album is of vulnerable innocence facing abusive power, the songs dealing with violence ('Drip Drip'), rape ('Diana', 'Song to Comus'), and insulin shock therapy ('The Prisoner'). These themes contrast starkly with the acoustic sound of the record, featuring acoustic guitar, violin, flute, and lyrical, almost Arcadian, female harmonies. 180 gram audiophile vinyl. Includes insert. Including the single 'Diana'.\" - Music on Vinyl.\u003c\/span\u003e","brand":"Music on Vinyl","offers":[{"title":"LP","offer_id":15418274840639,"sku":"","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MOV1937LP_CU.jpg?v=1571718632"},{"product_id":"shankar-ananda-s-t","title":"SHANKAR, ANANDA - s\/t","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Ananda Shankar was a Bengali musician best known for fusing Western and Eastern musical styles.\u003c\/span\u003e\u003ci\u003eAnanda Shankar\u003c\/i\u003e\u003cspan\u003e is the debut album by the Indian musician, the son of dancer and choreographer Uday Shankar and the nephew of Indian classical musician Ravi Shankar. It was released in 1970 and was among the first works in the rock genre by an Indian musician. Consisting mainly of instrumental recordings featuring sitar and Moog synthesizer, it includes a cover version of the Rolling Stones' 1968 hit song 'Jumpin' Jack Flash' and a thirteen-minute Indian-style piece titled 'Sagar (The Ocean)'. In the decades since the LP's release, 'Jumpin' Jack Flash' became a popular club hit, while the album has been recognised for its influence on world music fusion, particularly the East-West styles developed in the UK. It is one of the albums featured in Robert Dimery's book \u003c\/span\u003e\u003ci\u003e1001 Albums You Must Hear Before You Die\u003c\/i\u003e\u003cspan\u003e. In 2005, his song 'Raghupati' was used in the game \u003c\/span\u003e\u003ci\u003eGrand Theft Auto: Liberty City Stories\u003c\/i\u003e\u003cspan\u003e soundtrack.\" - Music on Vinyl.\u003c\/span\u003e","brand":"Music on Vinyl","offers":[{"title":"LP","offer_id":15418279559231,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MOV1996LP_CU.jpg?v=1571718632"},{"product_id":"riley-terry-in-c-1","title":"RILEY, TERRY - In C","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003ci\u003eIn C\u003c\/i\u003e\u003cspan\u003e is a musical piece by the composer and performing musician Terry Riley. As one of the first minimalist compositions and a masterpiece of this genre it's a response to the modern music that dominated the scene in 1968. The piece inspired a lot of famous composers, like Philip Glass and Steve Reich. \u003c\/span\u003e\u003ci\u003eIn C\u003c\/i\u003e\u003cspan\u003e consists of repeating cells and different rhythms, loosely based on the musical structures he had heard and loved in north African music. 53 short musical phrases are what the compositions are made of. The thing that makes \u003c\/span\u003e\u003ci\u003eIn C\u003c\/i\u003e\u003cspan\u003e so enduring is that, once all concept is stripped away, it's a seriously hypnotic piece of music. For listeners with a sympathy for minimalism it's a wild and impressive work, full of energy. 180 gram audiophile vinyl. PVC protective sleeve includes insert. 50th anniversary.\" - Music on Vinyl.\u003c\/span\u003e","brand":"Music on Vinyl","offers":[{"title":"LP","offer_id":15418286080063,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/MOVCL039LP_CU.jpg?v=1571718632"},{"product_id":"hey-colossus-four-bibles","title":"HEY COLOSSUS - Four Bibles","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Hey Colossus are one of Europe's great live bands. Since 2003 the six-piece has been driving around the continent with their \"pirate ship\" backline of broken amps and triple-guitar drang, elevating audiences in every type of venue imaginable; a doctor's waiting room in Salford, an industrial unit in Liege, and a vast field next to a river in Portugal. \u003ci\u003eFour Bibles\u003c\/i\u003e is their twelfth studio album and the first to be released by London label Alter. Recorded by Ben Turner at Space Wolf Studios in Somerset, it's their most direct album yet and follows a well-documented trajectory of evolution that began (in the truest sense) with 2011's \u003ci\u003eRRR\u003c\/i\u003e (REPOSE 063LP) for Riot Season and continued across three albums for Rocket Recordings. Lead vocalist Paul Sykes sounds more in focus than before, dialing down the effects and using reverb\/delay to carry his lyrics rather than smother. The band has also fine-tuned to leave some room for extra depth. Piano, electronics, and violin (by Daniel O'Sullivan of This Is Not This Heat and Grumbling Fur) all find a way in amongst a familiar mesh of interlacing guitars, wrapped round a taut rhythm section. Like every other Hey Colossus record before, the line-up has altered and the sounds reflect this. From the weight of \"Memory Gore\", to the subtlety and swag of \"It's A Low\", via the sonic extremes of \"Palm Hex\/Arndale Chins\" this is exactly as the band are live; raging and rail-roading but somehow in control. Grooves for those who want to dance or for those who want to hug a wall and nod... bleak dystopian imagery submerged in relentless rhythms and low-end rattle. The songs breath life and soul -- Hey Colossus have never sounded fresher or more on point.\" - Alter.\u003c\/div\u003e","brand":"Alter","offers":[{"title":"LP","offer_id":15418326188095,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/ALT047LP_CU.jpg?v=1571718632"},{"product_id":"vigroux-franck-totem","title":"VIGROUX, FRANCK - Totem","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\"\u003e\"Matte laminated gatefold sleeve; Edition of 500. Aesthetical present \u003ci\u003eTotem\u003c\/i\u003e, the new full-length album by France's most singular contemporary composer, Franck Vigroux. Reflecting on ancient culture's use and reverence for emblematic monuments which most often represent myths and stories, the album's narrative has been infused with such symbolic and depicts an envisioned mythology, unfolding through its ten aural pieces. Franck Vigroux's music is unique and comprised of tectonic tension, pulsating rhythms, and abrasive analog textures like few can produce. Applying his own calculated personal signature in his sonic explorations his distinctiveness comes not only by his unique approach to sound but also by his incorporation of new media practices and performing arts into his A\/V work. Mastered by Denis Blackham.\" - Aesthetical.\u003c\/div\u003e","brand":"Aesthetical","offers":[{"title":"Double LP","offer_id":15418340278335,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/AESLP001LP_CU.jpg?v=1571718632"},{"product_id":"purnell-brontez-jason-kendig-lay-down-your-burden-boy","title":"PURNELL, BRONTEZ \u0026 JASON KENDIG - Lay Down Your Burden Boy","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"A springtime collaboration between Brontez Purnell of the Younger Lovers and Jason Kendig of Honey Soundsystem. “Lay Down Your Burden” marks a perfect intersection between Brontez’s loveworn, D.I.Y. punk and Jason’s underground dance party devotionals.\u003c\/p\u003e\n\u003cp\u003e“He Never Knew What Kissed Him” is a vulnerable, achingly beautiful pop song. Brontez has a scoundrel’s croon, set here perfectly in a cradle of breezy, wistful Farfisa and skittering percussion.\u003c\/p\u003e\n\u003cp\u003e“When I See You Out” is a peak time Hi NRG banger, sweeping and assertive. Built atop a turbulent bassline and insistent vocals, it comes off like the indie grandson of Sylvester’s “Mighty Real.”\u003c\/p\u003e\n\u003cp\u003eThe two songs combine to tell a story – side A for those quiet, hopeful moments getting ready to leave as the sun sets, side B the living sound of the heated dancefloor that drew you out.\" - JABS.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Z768iDmjzMM\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"JABS","offers":[{"title":"7\"","offer_id":15418424098879,"sku":"","price":7.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/brontez-record-1.jpg?v=1571718632"}],"url":"https:\/\/www.fusetronsound.com\/collections\/september-6-2019.oembed?page=10","provider":"fusetron","version":"1.0","type":"link"}