AYLER, ALBERT - Recorded in Stockholm, October 25th, 1962
"Saxophonist Albert Ayler's work straddled various streams of the jazz idiom. Nearly 50 years after his tragically early death (his drowning in the East River most likely the result of suicide), critics, fans, and detractors are still arguing over whether Ayler can be considered a true free jazz" player or whether his unorthodox style transcended or complimented the moniker. In any case, he was born in Cleveland, Ohio in 1936, the son a semi-professional saxophonist who tutored him early on alto sax and exposed him to swing and bebop, along with the church music that was a big part of his upbringing. After studying at the Cleveland Academy of Music with jazz saxophonist Benny Miller, Ayler became known as "Little Bird" after Charlie Parker, for his mastery of bebop. As a teenager, he was already playing tenor saxophone in Little Walter's blues band during school holidays, and when he joined the US Army in 1958, Ayler began playing with fellow GIs such as tenor saxophonist Stanley Turrentine and the experimental composer, poet and keyboardist Harold Budd; he permanently switched from alto to tenor in this phase. Upon leaving the Army, Ayler sought work in Los Angeles and Cleveland, but found resistance from the purists for his continual pushing of boundaries. Relocating to Sweden in 1962 was the bridge to a successful recording and performing career as he led various Swedish and Danish groups on radio sessions, playing in an informal and uncredited capacity in Cecil Taylor's band in late 1962. The Albert Ayler Trio then consisted of Ayler, bassist Torbjörn Hultcrantz, and drummer Sune Spångberg; four dissonant songs from their live performance on October 24, 1962 would be issued on the Bird Notes label in Sweden as Something Different!!!!!! and reissued overseas as the first edition of The First Recordings; it included a barely-recognizable rendition of showtune "I'll Remember April", an off-kilter take of Sonny Rollins's "The Stopper" retitled "Rollins' Tune", and a wobbly cut of Miles Davis's "Tune Up", along with the original "Free". The exceedingly rare The First Recordings, Vol. 2 was also issued on Bird Notes -- at least in test pressings with photos of Ayler glued to the cover -- comprised of three extended meditations of discord, namely blown mutations of showtunes "Softly As In A Morning Sunrise" and "I Didn't Know What Time It Was", along with a growling cut of Count Basie's "Good Bait"." - Alternative Fox.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.