"Feeding Tube is pleased to be able to offer the first domestic release, helmed by the superb British guitarist, Chris Joynes. For this album, Joynes has assembled a polyglot ensemble comprised of folks from Dead Rat Orchestra (a splendidly bizarre experimental völk outfit), guitarist Nick Jonah Davids (with whom Joynes recently did a split LP of solo electric guitar improvs) and Cam Deas, who records both as a sound artist and as an acoustic guitarist. The music they have created for The Bormatez Tree (itself a semi-mythical tree found largely in travellers' tales of the 1500s) is a difficult to describe hybrid of approaches and techniques, drawn from the vast collective imagination of the group. From swirls of North African string design, accompanied by dream-time percussion, to banjo/fiddle duets redolent of documentaries about the American Civil War, to flowing free form jams where everyone piles on psychedelic licks. The all-instrumental unit sound ranges all over the place, but after sinking in its warm tomes for a while, I am most put in mind of some of the guitar-led UK post-units of the '70s (Fairport, Trees, Pentangle, et al) playing loose and free at some nameless pub at the edge of peat bog, just letting things go in whatever direction the winds blew them. It's not all like that, of course. But in the main, the scent of Scotch, smoke and adventure is hard to ignore." --Byron Coley, 2019 Edition of 500.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.