"Outernational Sounds present the first legitimate vinyl reissue of Nate Morgan's Journey Into Nigritia, originally release in 1983. A major statement from a crucial figure on the Los Angeles jazz underground -- Journey Into Nigritia is pianist Nate Morgan's spiritualized deep jazz classic. How many 16-year-olds would have the confidence to walk up to a revered bandleader at a gig, and inform him that one day they'd be playing together? As improbable as it sounds, this is how pianist Nate Morgan introduced himself to the great Horace Tapscott, founder of the Pan Afrikan Peoples Arkestra. The teenage Morgan had heard Tapscott's Flying Dutchman LP The Giant Is Awakened (1969) being played by Greg Kufahamu on local Los Angeles radio station KUSC, and Arthur Blythe's wailing sax had gone straight to the heart. Morgan showed up to all the Arkestra shows he could find. He was already studying with Joe Sample and Hampton Hawes and playing in local bands, but the draw of the Tapscott's band was too much for the gifted young pianist: "I could only take about two or three more concerts before I had to run up on stage. When I first introduced myself to Horace, he tells everybody that I said, 'Yeah, I'm Nate Morgan. I'm going to play with you all.' Not that I want to, but that I'm going to." Over the next decade and beyond, Morgan would become a central figure in Tapscott's UGMAA (Union Of God's Musicians and Artists Ascension), bringing new figures into the fold (like Jesse Sharps), running jam sessions, and eventually being given the task of organizing the Arkestra songbook. During the early 1970s he also worked commercially, doing a stint with Rufus and Chaka Khan and appearing on Willie Hutch's Foxy Brownsoundtrack (1974). Into the 1980s and 1990s he remained active, keeping the UGMAA flame alive and working tirelessly around LA, including collaborations with Bone Thugs N' Harmony; he was also part of the early 2000s LA jazz collective Build An Ark. A true musician's musician, Morgan died in 2013. Journey Into Nigritia, featuring fire-breathing reedsman Dadisi Komolafe, was the first of two LPs Morgan recorded for Tom Albach's storied Nimbus West imprint. A committed, spiritualized work that showcases Morgan's heavy composing as well as his McCoy Tyner-influenced and technically flawless playing, Journey features dedications to Coltrane ("He Left Us A Song") and Cecil Taylor("Study In C.T."). Surging, modal jazz from the LA underground, Journey Into Nigritia is a crucial recording by an unsung jazz legend. Fully licensed from Nimbus West founder Tom Albach." - Outernational Sounds.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.