"Tralala Blip are an Australian unit of differently-abled musicians hailing from the Northern Rivers of New South Wales. Over the past decade they have carved out a unique position in the Australian electronic music community. Working to overcome a range of challenges imposed by their disabilities, Tralala Blip have created a range of approaches to instruments, performance, and composition that allows them to seamlessly create music together. Eat My Codes If Your Light Falls is their first full-length album in over five years. It charts out an entirely new sonic universe that is the resolution of several years of intense live performance and expanded studio experiments. Produced by Lawrence English, the record explodes their working methodologies and reveals a collective sacred heart that is fueled by their intoxicating post-electro pop melodies and diarized lyrical poems. Eat My Codes If Your Light Falls is in many ways the first work in a new chapter of what Tralala Blip are becoming. It resolves their experimental practices and focuses that energy within a tight framework of explicit song form and entirely personal production aesthetics. This is their voice, articulating their stories. It's for you to listen and begin to understand that which lies in parallel with our everyday. Beyond their extensive performance commitments, they have presented their work as special guests of TEDx, have had a stage production created about them and have instigated many workshops for other differently-abled musicians and artists. Their goal is to reconsider the nature of creativity, especially music making and to push these processes beyond any sense of the normative or commonplace. Celebrated internationally for their relentless pursuit of a level playing field in music creation, they have been fortunate to be supported by festivals such as Unsound, Liquid Architecture, and arts facilities such as ZKM Kahlsruhe. The future is expansive and multi-abled, Tralala Blip invite you to get amongst it. Tralala Blip are Mathew Daymond, Lydian Dunbar, Zac Mifsud, Randy Reimann, and Phoebe Rose." - Someone Good.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.