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I Dischi Di Angelica

TAYLOR, CECIL - At Angelica 2000 Bologna

"In the year 2000, when Bologna was European Capital of Culture, AngelicA Festival, then in its tenth edition, invited Cecil Taylor to hold a concert at the Teatro Comunale - Opera House of Bologna: solo, with his piano (and his dance and his poetry readings) he opened an evening that ended with a rendition of the luminous piece Coptic Light by Morton Feldman performed by the Orchestra del Teatro Comunale di Bologna, conducted by Jurjen Hempel. This unusual juxtaposition (not in the history of the festival) should not surprise: initially ascribed only to free jazz, throughout the decades Taylor's music has been re-evaluated in all its formal complexity, and is nowadays recognized as one of the most singular productions in the musical landscape of the nineteenth century. The additional uniqueness of this release is that it adds a second CD, titled Rap, to the recording of that memorable concert, which documents the public meeting-interview that Taylor agreed to give in Bologna on the following day. Moderated by the musicologist (and founding member of the band Stormy Six) Franco Fabbri, and transcribed and notated in its entirety in the forty pages booklet (in English/Italian) by the jazz critic and historian Francesco Martinelli, Taylor opened the meeting by reading a complex statement of his on the definition of music, inclusive of an explanatory glossary at the end. What came after was no less bewildering, with Taylor using the moderator's questions as a springboard for an explosive tour de force of quotes and references. It offers the listeners an experience almost equivalent to the extraordinary internal mobility of his concerts, and a precise grid of interpretation of the imaginaries he drew from to create his unique sound, scenic and vocal theatre. The release is completed by "No Matter What - Montage of Meanings", an homage that the director of the festival Massimo Simonini paid to Taylor in May 2020, editing together extracts of the concert and of the public meeting. Recorded on May 10, 2000 at the Teatro Comunale di Bologna, and on May 11, 2000 at the Palazzo dei Notai, Bologna, Italy, during AngelicA, Festival Internazionale di Musica, 10th edition Mastered in May 2020 by Bob Drake at Studio Midi-Pyrénées, La Borde Basse, Caudeval, France." - I Dischi Di Angelica.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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