Palace of Lights


Randstad is a kind of hermetic diary of a year living in the randstad -- a term the Dutch use to describe their own megalopolis that encompasses Amsterdam, Rotterdam, The Hague and Utrecht. In its own way, the work runs contrary to todays assumed absolute limitlessness of musical possibility, favoring a reduced expatriate sonic toolkit (composed of Cycling 74s Max, a modest Eurorack, and a handheld digital recorder). Its entries combine the sounds of a new home (house keys, birds on the terrace, fireworks at the New Year) that are stretched / rotated / folded / spindled / annealed into a set of audio vignettes. The results are snapshots of sensation, location, movement, and image: a score for re-orienting yourself in new, changing environments. To paraphrase Roethke, we learn by going not only where to go, but how to go. The CD includes a download card for Randstad and the bonus EP Trajectum. After a hiatus from the cassette culture movement of the 1980s, Gregory Taylor returned to regular recording and live performance as an improviser in the late 1990s. He has studied central Javanese Gamelan and electroacoustic music at Cornell, UW-Madison, New England Conservatory and the Instituut voor Sonologie, and written for publications such as Wired, Recording, Array, and Option, and hosted RTQE -- a radio program of contemporary audio on WORT-FM since 1986. He currently works for Cycling 74. Randstad is his fourth album for PoL. - Palace Of Lights.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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