"Cheat Days is the new release by Terrine (aka Claire Gapenne, also in Headwar), part techno noise and part bedroom freak électronique. Cheat Days is pressed at 45RPM for maximum heaviness and delight. Nothing ever really runs like clockwork in Gapenne's weird and wonderful world. The Tinker Bell of French noise, her magic whip has the power to turn one into a horse drawn carriage or an old pumpkin. A hyperactive activist and artist, she has been part of Accueil Froid for the past seven years in Amiens. This collective has invited the best of experimental rock to their town, eyes and ears wide open in a place where there is (almost) nothing except pretty canals and unemployment. Her music releases pressure valves and opens a perspective onto infinite possibilities. Though known for manhandling her bass as part of Headwar and has made her mark in numerous groups with delightfully silly names (Snif Nazal, Couteau Twins, and Me Donner), the riotous Terrine has paved a path for herself with constancy and determination. Turning up where least expected, she changes the game plan according to her art and the people she meets, increasingly preoccupied with defying genre, nimbly and tactfully skipping from one style to the next. With the aptly titled Cheat Days, she has concocted a disorientating mix of stunted techno, limping dub and piano-wave improv. Though one could imagine she would dive head first into EBM and post-industrial techno, she now takes a completely different direction with this album; everything is guarded, the approach is minimalist and intensely personal. Between gusts of peripheral noise captured on the go, she dares to combine Cabaret Voltaire and Pascal Comelade, and The Shadow Ring, a St Vitus' dance and a disembodied rave, slow-burning dub and digital crackle, electronic no-wave and jumble sale tech. Too subtle to jerk about on the BPM assembly line, her music is etched upon a backdrop behind which an old piano is hidden, dusty and busted. The only captain of her ship, she uses modest means to fashion cutting edge sound design and summon heavy dancefloor artillery. Stacked with resources and buzzing with a wealth of projects, Claire Gapenne has progressively become one of the most crucial (and jovial) figures of the DIY underground." - Julien Bécourt.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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