"Back in the early Oughts, there was a great UK folk rock combo called The Eighteenth of May. They did one album and cut out. Trimdon Grange Explosion is that band, minus two members, and their debut LP kicks up one of the finest blends of UK folk and West Coast psych since the glory days of Fairport. Alison Cotton and Mark Nicholas (also of Left Outsides) comprise half the band, alongside guitarist Ben Phillipson and drummer Karl Sabino. And their vibe is akin to a classic Witchseason production. Ringing layers of psychedelic guitars, backed by throbbing rhythms, and stacks of small sonic events, topped with gorgeously folk-flecked vocals. There are flashes of everything from the Velvets to the Byrds woven amongst the sounds, but the bulk of it will make you feel like you're playing an album that might have been ZigZag's Record of the Year back in 1971. The band's name refers to a coal mining disaster in a town up near Newcastle in the 1880s. Martin Carthy and the Mekons both did good covers of the tune Tommy Armstrong wrote about it. But none of them did anything approaching the grandeur of this band's album (originally issued as a CDR last year by Borley Rectory). Take up the nearest stethoscope and walk. Now!" - Byron Coley, 2018.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.