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KESZLER, ELI - Cold Pin

Over two years in the making, Cold Pin is the new full-length record by Eli Keszler. Both a composition and stand-alone installation, 14 strings ranging in length from 25 to 3 feet are strung across a 15x40 curved wall, with motors attacking the strings, connected by microcontrollers, pick-ups and RCA cables. Recorded in Bostons historic Cyclorama, a massive dome built to house the Cyclorama of the Battle of Gettysburg painting in 1884. The B-side features, in addition, a dry" version of the installation with motor attacks on metal squares rather than strings, creating dense percussive clusters. Cold Pin works within the frame work of left-to-right time and vertical structure. The installation acts as the architecture of the music, surrounding and immersing the live instruments into incredible density and sharp, angular mass shapes, and functions alone as the performers stop. Rather than an individual sound, the sustained horns, strings, drums and metallic attacks function as a singular unit, and continue, too, when they stop alongside the installation. Cold Pin features Eli Keszler (drums, crotales installation and guitar), Geoff Mullen (guitar), Ashley Paul (clarinet, guitar, greenbox), Greg Kelley (trumpet), Reuben Son (bassoon) and Benjamin Nelson (cello). Eli Keszler is a composer, artist and multi-instrumentalist based in New York City. In performance, he often plays drums, bowed crotales and guitar in conjunction with his installations. In his ensemble compositions, he uses extended strings, motors, crotales, horns and mechanical devices to create his sound, balancing intense harmonic formations with acoustic sustain, fast, jarring rhythm, mechanical propulsion, dense textures and detailed visual presentations. He has most recently won the Mata composers competition for the 2012 season. Eli Keszler is a graduate of the New England Conservatory in Boston where he studied with Anthony Coleman and Ran Blake. Limited edition of 500 copies, pressed on 140 gram vinyl housed in a silk screened PVC sleeve. Mastered and cut by Rashad Becker at Dubplates & Mastering." -Pan

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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