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Ri Be Xibalba

BIXOBAL - #2

56 pages, 5.5" by 8.5", 20 lb. paper, b&w, approximately 750 copies printed.
"features: Uncle Jim going over the words hes damn sick of seeing half-asses journalists use- Victrola Favorities" co-compiler Rob Millis musing on the place of the phonograph in human history- part two of former Sun City Girl Sir Richard Bishops Indian travelogue from last summer; codeine, monkeys, cows and Charles Gochers ashes floating down the Ganges, what more to you really need?- Keith of No Neck Blues Band laments the lost of instrument builder and musician Charlie Nothing- visual artist and Factums bass player Jesse Paul Miller on his habit of collecting bad records with several examples- improvising vocalist Phil Minton quizzed by Allan MacInnis- cult experimental musician Robert Haigh talks about the Le Rey label and his groups Sema, Fote and The Truth Club with John Podeszwa- former Muckraker publisher Patrick Marley talks about his latest listening from free CD with Indian meals to Michael Yonkers- reviews of vinyl, cassettes, compacts disc, DVDs and a book, both new and old - At Jennie Ritchie / Vertonen, The Beast, The Beautiful Schizophonic, Adam Bohman, Karl B_
ɬ_smann, Olivia Block, Carpet Floor, Christina Carter, Sylvain Chauveau, The Christian Family Underground, Climax Golden Twins, Crappy Nightmareville, Dialing In, Morton Feldman, Kon Ichikawa, Jackie-O Motherfucker, Jason Kahn, Alfredo Costa Monteiro, Aaron Moore, Norbert M_ɬ_slang, Gabriel Paiuk, The Pitchshifters, Christian Renou, Replicock, Sarin Smoke, Michael Shannon, Sun City Girls, Supersilent, Tabata, Tarantism, Tashi Lhunpo Monastery, Yoshi Wada, Walter & Sabrina, @c & Vitor Joaquim and more"- Ri Be Xibalba.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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