"Released for the first time in 2011, Summvs is the fifth and final installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S. series. The title Summvs refers to the Latin word "summa" (sum) and "versus" (towards); it serves as a metaphor for the work being oriented towards a collaborative result. The album features "Microon" compositions containing recordings of a 16th tone interval tuning piano -- Piano Metamorfoseador Carrillo en Dieciseisavos de Tono. The album also features two covers of the track "By This River," composed by Brian Eno, Dieter Moebius, and Hans-Joachim Roedelius in 1977. In the album's twelve compositions, Sakamoto's haunting piano arrangements coalesce with Carsten Nicolai's digital rhythms, creating a sonic aura as magnetic as it is meditative. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by two new compositions titled "Monomom" (released digitally in December 2021) and "Kizuna." Like "Monomom," "Kizuna" is the studio version of the homonymous composition recorded during Alva Noto and Ryuichi Sakamoto's 2019 Australian tour and included in the album' TWO Live at Sydney Opera House (2019). The work "Kizuna" means "human bond" in Japanese and refers to the title of an animation piece by the Italian contemporary artist Valerio Berruti released in Japan in January 2011. Album art designed by Carsten Nicolai. Mastering by Bo at Calyx." - Noton .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
