AMM - AMMMusic
First vinyl reissue of the landmark 1967 debut album by AMM,AMMMusic. Remastered and cut by Rashad Becker at Dubplates & Mastering, Berlin. Exact replica sleeve by Stephen OMalley. Coinciding with the 50th anniversary of its recording in 1966, this reissue makes one of the cornerstones of the experimental music tradition available again in its original form, replete with Keith Rowes beautiful pop art cover and the terse aphorisms by the group that served as its original liner notes. A testament to the interaction between the experimental avant-garde and the countercultural underground, the album was originally released on Elektra, recorded by Jac Holzman (the labels founder, responsible for signing The Doors, Love, and The Stooges) and produced by DNA, a group that included Pink Floyds first manager, Peter Jenner (the title of Pink Floyds _¢‚Ǩ_ìFlaming_¢‚Ǩ¬ù is a tribute to AMMs _¢‚Ǩ_ìLater During a Flaming Riviera Sunset_¢‚Ǩ¬ù). Formed in 1965 by three players from the emerging British jazz avant-garde -- Keith Rowe and Lou Gare had played with the great progressive big band leader Mike Westbrook and Eddie Pr_ɬ©vostplayed in a post-bop group with Gare -- AMM quickly evolved from a free jazz group into something decidedly more difficult to categorise. By the time these recordings were made, two more members had joined the group: another Westbrook associate, Lawrence Sheaff, and the radical composer Cornelius Cardew. Then at work on his masterpiece of graphic notation Treatise, Cardew brought with him extensive experience of the post-serialist and Cageian currents in contemporary composition. Using a combination of conventional instruments and unconventional methods of sound production (most famously Keith Rowes prepared tabletop guitar, but also prepared piano and transistor radio), the group performed improvised pieces often running for over two hours and ranging from extended periods of silence to terrifying cacophonies. OnAMMMusic, long tones sit next to abrasive thuds, the howl of uncontrolled feedback accompanies Cardews purposeful piano chords, radios beam in snatches of orchestral music. AMMs clearest break with jazz-based improvisation concerned the idea of individuality. Initially through an engagement with eastern philosophy and mysticism and later though a politicized communitarianism, AMM sought to develop a collective sonic identity in which individual contributions could barely be discerned. In the performances captured on AMMMusic the use of numerous auxiliary instruments and devices, including radios played by three members of the group, contribute to the sensation that the music is composed as a single monolithic object with multiple facets, rather than as an interaction between five distinct voices." --Francis Plagne.
- Regular price $21.00