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Black Editions

BROTZMANN, PETER/KEIJI HAINO DUO - The intellect given birth to here (eternity) is too young

"It's common for these musicians to be labelled muscular (and other testosterone-laden terms), but it is perhaps more fitting to register them with the female archetype Kali, who enacts destruction in order to make way for new life. As we embark on a new century amidst socio-political upheaval, the Brötzmann/Haino duo feels like an artistic expression of the moment we are living in and experiencing every day."--Philip Greenlief, "Ode to Destruction", ART FORUM, August 2018 on Peter Brötzmann/Keiji Haino Duo at the Chapel, San Francisco Two complete performances recorded in Los Angeles and San Francisco in the summer of 2018. The intellect given birth to here (existence) is too young presents the artists traversing a sprawling range of sound and modalities to achieve a stunning alchemy that can't be replicated. Both Brötzmann and Haino have spent their lives creating music that defies easy categorizations -- phrases such as "free jazz/improvisation,""rock,"or "avant garde"seem to only scratch at the surface. What can be said is their works have a nearly unmatched intensity and restless spirit -- always uncompromising and only fully understood in their own unique terms. When performing together, the two push each other to entirely new and beautifully alien territories. Keiji Haino's Purple Trap imprint and Black Editions are proud to present the defining work of their decades-long collaboration. Presented in a deluxe four-LP boxed set edition of 800 including full-size, full-color art prints by both artists." - Black Editions.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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