"Turkish free jazzers Konstrukt continue their series of exciting collaborations with Ken Vandermark, one of the key figures of Chicago's vivid jazz scene. After two critically acclaimed albums with the Japanese avant-garde/noise icon, Keiji Haino, Konstrukt return with a new inspiring collaborative mind: Ken Vandermark, who for three decades now has been a highly prolific musician in contemporary jazz and free improvisation. With various groups like NRG Ensemble, Spaceways Inc., The Vandermark 5, Made To Break, or the Peter Brötzmann Chicago Tentet (to name just a few) and various spontaneous collaborations the saxophone/clarinet player has created an impressive catalog and performed/recorded with the who-is-who of today's jazz/improv scene: Paal Nilssen-Love, Hamid Drake, Fred Anderson, Paul Lytton, Joe Morris, The Ex, Axel Dörner, Mats Gustafsson, Joe McPhee, Zu, Peter Brötzmann, Paul Lovens, Lasse Marhaug, Yakuza, Kevin Drumm, and many more. Vandermark's enduring exploration and development of new paths in (free) jazz and improvisation not only made him a key figure of the vivid Chicago scene (since the days of AACM, a hotspot for musical creativity), but also gained the him the reputed Mac Arthur Fellowship in 1999. In November 2018, Konstrukt (who themselves can look back on a long list of class A collaborators like Joe McPhee, William Parker, Akira Sakata, Marshall Allen, Evan Parker, Thurston Moore, or Alexander Hawkins) met Vandermark in their homebase Istanbul for a recording session -- a match made in heaven that all musicians involved are extremely happy with. The resulting album, Kozmik Bazaar, starts with a reference to Ornette Coleman before turning more and more into a psychedelic trip that goes way beyond the "jazz idiom". But what else to expect from such a stellar constellation? Personnel: Kontstrukt: Korhan Futacı - alto saxophone, instant loops, vocal; Umut Çağlar - electric guitar, synthesizer, gralla, guimbri; Apostolos Sideris - double bass; and Berkan Tilavel - drums, electronic percussion; with Ken Vandermark - tenor saxophone, clarinet. Recorded by Ozan Öner at Pür Recording Studio, Istanbul. Mixed by Korhan Futacı and Umut Çağlar. Mastered and cut by Rashad Becker at Dubplates & Mastering, Berlin. 180 gram vinyl; includes download code." - Karlrecords .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.