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Blank Forms

TOMOKAWA, KAZUKI - Try Saying You're Alive!: Kazuki Tomokawa in His Own Words

"A vivid account of life on the margins and Tokyo's 1970s underground culture from a Japanese folk legend Tokyo in the 1970s was a magnet for young musicians, poets and painters. Among them was Kazuki Tomokawa, a prolific singer-songwriter from Japan's northern provinces, whose guttural vocals and incisive lyrics earned him the unofficial title of 'screaming philosopher.' The stories in this memoir--originally published in 2015 in Japan and now appearing as the first English translation of Tomokawa's writing -- are told with a rambler's wit and wisdom, bringing together his memorable reflections on six decades of day labor, drinking, gambling, acting, singing and writing. Figures such as Kan Mikami, Nobuyoshi Araki and Shūji Terayama drift through this down-and-out vagabond's memoir, which observes the turbulence of postwar countercultures and the explosion of Tokyo's underground film and music scenes. Also available from Blank Forms Editions are Kazuki Tomokawa's first three records: Finally, His First Album (1975), Straight From the Throat (1976) and A String of Paper Cranes Clenched Between My Teeth (1977). Kazuki Tomokawa (born 1950) is a prolific singer-songwriter from Hachiryū Village (now the town of Mitane) in the Akita Prefecture area of northern Japan. Since his debut in 1974, he has released more than 30 albums. He is additionally known as a poet, painter, keirin enthusiast and inimitable drinker. The 2010 documentary about his life, La Faute des Fleurs, won the Sound & Vision award at the Copenhagen International Documentary Film Festival, and that same year saw the Japanese release of the book Dreams Die Vigorously Day by Day, a collection of his lyrics spanning 40 years. His most recent albums are Vengeance Bourbon (2014) and Gleaming Crayon (2016), both on the Modest Launch label. Damon Krukowski is a musician and writer based in Cambridge, MA. His most recent book is Ways of Hearing (MIT Press, 2019) and his latest album is Damon & Naomi's A Sky Record (202020, 2021). Daniel Joseph is a translator, editor and musician. He holds a master's degree from Harvard University in medieval Japanese literature, and recently contributed translations to Terminal Boredom (Verso, 2021), a collection of stories by science fiction pioneer Izumi Suzuki." - Blank Forms.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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