"Since 2015, Chicago's Experimental Sound Studio has been the host of Option, a series of intimate concerts of improvised music. Featuring an uncommonly wide range of players representing virtually all haunts of free music, the series has fostered not only an important exchange of ideas in musical form, but it has also promoted literal conversation about the music, usually substituting a dialogue with the musician or musicians for the requisite second set. In 2018, the series was funded by a consortium of major international art galleries, each of whom underwrote a month of events. As is always the case at ESS, the music was recorded, and in the end an astonishing archive of tapes was produced, from which 15 tracks were selected and programmed onto two CDs for Option 1, the first compilation of the series. The artists featured on the program are Susan Alcorn (lap steel guitarist and winner of the 2018 Instant Award in Improvised Music), the Chicago-based team of Lou Mallozzi & Douglas Ewart (Lunch With Money), veteran percussionist Gerry Hemingway, Norwegian pianist Håvard Wiik, Luke Stewart, Louise Dam Eckardt Jensen & Kent Kessler, trumpeter Greg Kelley, Ben Goldberg & Michael Coleman, Bonnie Jones, the impossible piano of Kris Davis, Wayne Horvitz & Sara Schoenbeck, saxophonist Ingrid Laubrock, Chattanooga's own LaDonna Smith, Booker Stardrum, Beth McDonald & Dave Rempis, and young guitar sensation Sandy Ewen. By turns haunting, abrasive, lyrical, absurd, bracing, and hilarious, Option 1 in fact offers many different options -- a smorgasbord of alternatives representing the exciting, multifaceted reality of free music in its contemporary manifestation." - Corbett vs. Dempsey.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.