Although he is best known as a groundbreaking experimental filmmaker, one of the architects of structural cinema, and visual artist, Michael Snow has been active as a musician since the 1950s. In Greenwich Village of the 1960s, his loft was the site of concerts by Cecil Taylor and other paragons of free jazz, and Snows film New York Eye And Ear Control featured a soundtrack by Albert Aylers group and starred its members (ESPDISK 1016CD/LP). A brilliant keyboardist and occasional trumpeter, Snow was a key figure in Torontos improvised music scene, performing and recording with the ensemble CCMC, and as an improvising pianist hes worked in myriad contexts with many of the worlds leading free players. Saxophonist, clarinetist, and composer Ken Vandermark first learned about Snow as a film student in Montreal, where the classic work Wavelength (1967) confounded and fascinated him. In 2015, Vandermark and Snow performed together for the first time as a duet, resulting in three astounding long-form improvisations. Snow dug in hard at the piano, with clusters and repeated figures, while Vandermark was explosive on tenor and surgical on clarinet, opting often for the latter. The entire evenings music is released here, an early painting by Snow adorning the cover, and a still from the concerts videotaped footage spanning the gatefold interior. Personnel: Ken Vandermark - reeds; Michael Snow - piano. Recorded on June 20th, 2015 by Ted Phillips at Array Space, Toronto. Edited and mastered by Alex Inglizian with assistance from Ken Vandermark at Experimental Sound Studio, Chicago. Painting by Michael Snow, Duol, 1960, oil on canvas, 70.2 x 45.1 inches, Collection of the estate of Signy Eaton. - Corbett vs. Dempsey.