Tapete

BRAUSEPOTER - Keiner Kann Uns Ab

"LP version. Brausepöter (Martin Lück, Bernd Hanhardt and Kemper) were founded in 1978 in East Westphalia and were originally called Nordwest Germanes Eiterlager, NWE for short. Brilliant name, but Brausepöter isn't bad either! This makes them one of the first German punk bands -- punk in the true sense of the word, or as the US fanzine Maximum Rocknroll put it: "It's indie punk in the purest John Peelsense" or, as Martin Lück put it, "We always wanted to take all the rock out of our music." Brausepöter released their last regular album Nerven geschädigt in 2019. The punk magazine FAZ titled their review "The new Brausepöter record shows what punk means today." For them, Brausepöter is "a German band that was unfortunately too good to become as famous as Trio or Die Toten Hosen." Spiegel Online also liked Nerven geschädigt: "In its radical disinterest in everything that is possible and promising, Brausepöter's music seems even more consistent today than it did back then." The lost 1979 album Keiner kann uns ab is now being released. Originally the record, recorded with a cassette recorder in '79, was supposed to be released by ZickZack, but nothing came of it. Did the tape get lost in the post? Were the recordings too good? Or too radical even for ZickZack? If Keiner kann uns ab had actually been released back then, who knows, perhaps today the album would be mentioned in the same breath as Monarchie und Alltag, Amok Koma, or Slime's debut. But maybe not, because the Brausepöter sound is too unique, too ramshackle, too DIY -- closer to the TVPs, closer to The Fall or closer to the early Mekons than to all the punk rock bands. Brausepöter are simply "indie punk in the purest John Peel sense." - Tapete Records
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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