Gilgongo

LEONARD & WOBBLY, CHERYL E. - Multiple Park

"Cheryl E. Leonard builds and plays electroacoustic instruments made out of natural materials such as bones, driftwood, shells, seaweed, feathers, and stones. Jon Leidecker (aka 'Wobbly') responds to the sounds of her creations with synthesized animal voices driven by machine listening. The inaugural collaboration of these two veterans of the San Francisco Bay Area electronic music scene can be heard on the album Multiple Park, a collection of works assembled from both studio and outdoor performances, radio broadcasts and field recordings, as well as outright hallucinations -- an album which evokes an abstract yet literal world that exists in the space between city life and utter wilderness. Material for the album's centerpiece was recorded in three California parks, ranging from deeply urban to abandoned to entirely wild. The result is one 'Multiple Park,' filled with noises simultaneously abstract yet bound to the physical events that generated them. Riding a line between a secret history of electronic music that aspires to birdsong, and those dedicated to the preservation of vanishing biophonies, Multiple Park is a visceral meditation on the sounds of 'the outdoors,' and how those sounds are changed and framed by our technologically accelerating lives. Cheryl E. Leonard has been composing and improvising with materials from the natural world since the late 1990s. Her performance and recorded history includes many collaborations -- notably with Euphotic (Tom Djll & Bryan Day), Thomas Carnacki, Big City Orchestra, and Phillip Greenlief. Jon Leidecker has been creating experimental work since 1987: both solo and in collaboration (People Like Us, Matmos), as a member of Negativland since 2011, a current producer of Over The Edge on KPFA, as well as contributing electronics to the current incarnation of the Thurston Moore Group." - Gilgongo Records.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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