Captured Tracks

NEWELL, MARTIN - Teatime Assortment

"Since before he was even able to play an instrument, Martin Newell was messing around with home-recordings. Having grown up in the Far East, Newell returned to his home of England at age 13 with just a little 3-inch spool tape-recorder and his first guitar. At age 14 he wrote his first song, not even knowing any chords. His song writing continued through is teens and into his 20s, when he purchased a Sony reel-to-reel recorder and 12 string guitar. It is this early songwriting that led him working with a wide variety of musicians, recording in beautiful studios and forming his many projects such as Cleaners from Venus and Brotherhood of Lizards. But it was this early songwriting and recording that led him to find that he was happiest when recording by himself, with minimal equipment. As Newell often says, "Actually, I preferred the demos."
Having upgraded himself from reel-to-reel to a Tascam Pocketstudio and digitizing some of his archaic recording knowledge, Newell set out to begin home recording again. The tracks on this collection run from 2010 to mid 2014. Some are recordings loosely based on movie themes and soundtracks for imaginary films. Some are instrumentals from a collection called The Late District, while others are from a recent album Return to Bohemia, which saw a small release in England. This recent resurgence in creative strength, along with the success and newfound popularity of Cleaners from Venus, have all led up to Teatime Assortment. Think of it as a "Best of New Newell." A true wordsmith, Newell himself has put simply why one might be compelled to take a listen here: "If you're the sort of person who likes this kind of thing, then this is the sort of thing you'll probably like." - Captured Tracks.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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