Sub Rosa

V/A - Fluxus & NeoFluxus: Stolen Symphony (Part I)

"All in all, there are more than 50 pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments. This Fluxus edition features (in alphabetical order): Eric Andersen, Ay-O, George Brecht, John Cage, Giancarlo Cardini, Giuseppe Chiari, Henning Christiansen, Philip Corner, Öyvind Fahlström, Ken Friedman, Sten Hanson, Geoffrey Hendricks, Toshi Ichiyanagi, Joe Jones, Bengt af Klintberg, Milan Knízák, Alison Knowles, Larry Miller, George Maciunas, Sara Miyamoto, Nam June Paik, Yoko Ono, Opening Performance Orchestra, Benjamin Patterson, Josef Anton Riedl, Terry Riley, Takako Saito, Tomas Schmit, Dieter Schnebel, Mieko Shiomi, Yasunao Tone, Ben Vautier, Yoshi Wada, and La Monte Young. The musicians and performers Anna Clementi, Agnese Toniutti, Deborah Walker, Werner Durand, Luciano Chessa, Miroslav Beinhauer, Petr Bakla, Nicolas Horvath, Petr Ferenc, and Premysl Ondra have played, performed and declaimed the Fluxus pieces, Arditti Quartet and S.E.M. Ensemble provided one piece from their archives. Milan Knízák, Petr Rezek, Petr Kotík, Olaf Hanel, Eric Andersen, Per Brunskog, Peter van der Meijden, Pavlína Morganová, Natasha Lushetich, Joseph Nechvatal, Natilee Harren, Martin Patrick, Diedrich Diederichsen, Christopher M. Reeves, and Hubertus von Amelunxen have written Fluxus-themed texts. Archivio Conz in Berlin provided access to their extensive Fluxus archives and Edizioni Conz provided coproduction. Ursula and René Block made possible the realization of John Cage's historical composition "Rozart Mix" from the Edition Block archive. The photographic material comes from Marie Knízáková and Milan Knízák's private archive, the German photographer Wolfgang Träger, Archivio Conz's Fluxus archive and Opening Performance Orchestra's digital archive. The cover themes are paintings by Milan Knízák, while the graphic design is the work of Jaroslav Buzek. Double-CD version comes in digipack; includes 72- page booklet; edition of 500." - Sub Rosa.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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