The Wire

WIRE, THE - #471 May 2023

"On the cover: Dave Lombardo - The one-time drummer for Slayer, Mr Bungle, Fantômas and John Zorn pushes the art of percussion yet further out on his debut solo album, by Phil Freeman. Inside the issue... Once Upon A Time In San Diego: Tony Rettman dives into the San Diego punk scene of the late 80s and early 90s when bands like Heroin, Antioch Arrow and Pitchfork were reconstructing the emotional and aesthetic palette of hardcore; Paul Dunmall: The world's most underrated free jazz saxophonist (plus bagpiper and wood engraver) talks about his career from Johnny 'Guitar' Watson to John Edwards via Alice Coltrane's ashram, by Clive Bell; Unlimited Editions: French-Chinese rock label WV Sorcerer Productions is uncovering rough cut gems from the Beijing underground and beyond, by Josh Feola; Unofficial Channels: Doom And Gloom From The Tomb are deep diggers in the live music and bootleg recording scene, by Matt Krefting; Global Ear: Mike Steyels checks out the nightlife and the experimental electronic underground scene in Ho Chi Minh City; Invisible Jukebox; Epiphanies: Verity Susman of Memorials and Electrelane finds the personal becomes political in songs she learned through The Woodcraft Folk; Plus, full page interviews with PoiL Ueda, Luciano Maggiore, Dwight Trible and Alison Cotton." - The Wire.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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