Planam

WITCYST - Screuma/Chilli Song

"Since the early 1990s, Michael Veet aka Witcyst has been the stunning secret diamond of the New Zealand noise underground. A short-circuiting monolith on top of the rubbish heap of NZ art and sound. This LP contains two pieces originally issued on cassettes in 1995. Screuma" sounds like a guitar being fed through a washing machine -- a giant guitar made from old medicine bottles and beard hair. The washing machine is on full spin and it has pinecones in it. Witcyst mumbles a running commentary. It goes on and on. All outputs are fed back into the inputs. "Chilli Song" is a Witcyst rock song stretched into a spitting blur of strumming and singing. Streaks of hiss and saturation swamp and dissolve the riff. Someone is frying old meat and Witcyst has a lot to say about it. It goes on and on. All outputs are fed back into the inputs. Witcysts instructions for completing the sleeve artwork: "If the vinyl comes with unprinted blank card covers rub them a bit on rough concrete, cut out the center holes like a 12" sleeve, but not perfect circle -- like rough chop chop. Hack or lay a cover on wood, slab with a big metal pipe end, slam down off center like cutting with a cookie cutter, and tear the centers out. That would be goodly!" Witcyst lives and works in a concrete-floor shed in Whangarei, in the far north of New Zealand. His releases on his own labels Extemporization and LifeSpace run into the thousands. Each item is hand-made from insect casings, old X-rays, beer cans, and elbow grease. Exquisite drawings, obsessive collage, unreadable calligraphy, and photocopying onto tinfoil. His music is always a surprise and wrestles every potential sound out of endless mutations of endless new ideas. Every variation is layered, wrung out, and exploded. It is the freest of all the free noises. A complete drooling feast for the eyes and ears. Witcyst makes everyone else seem like a baby with a coloring book and one crayon. Edition of 300 copies in DIY sleeve." - Planam.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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