"MOI is the fearless full-length album by artist and musician Steven Warwick. The record signals a more upbeat reprise following the previous, reflective release Nadir (2016). MOI, the first physical release under his own name (having previously recorded under the Heatsick moniker), is a journey considering interior worlds and personal architecture, as found in early spiritual narratives. Recorded in Berlin, the FUGA residency space in Zaragoza and on location in New York, Warwick's sonic vocabulary is further expanded with intense frenetic rhythms, prismatic melodies, and resonant vocals. Like the dopamine rush of contemporary life, MOI is a sonic roller coaster with a scream-if-you-wanna-go-faster urgency; "Open Fire Hydrant" bursts out like a pressure valve spiraling onto the dancefloor, while "Kaleidoscope" offers cheeky anecdotes as told on a ride home soundtracked by a garage beat. MOI is a spectrum both emotionally and musically, embedded with an underlying spirituality wrestling with existential dread, as witnessed in "Over There", "Salvation", "Kind Of Blue", or the icy digital pulse of "Cold Light Of Day". "Danke" featuring guest vocals from visual artist Josephine Pryde offers a slightly gothic feel, albeit of the architectural variety, while the purgatorial transmissions of "Consolatio", bring a moment of respite. "Rush" is a sensuous percussive workout before concluding on the rampaging seductive house track "Silhouette". "Do you know who I am? Because I don't!" Mastered by Jeremy Cox. Cover photography by Ilya Lipkin. Layout by Bill Kouligas and Johannes Schnatmann." - Pan .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.