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Ecstatic Peace

WATSON, DAVID - Throats

From 1981-86 DAVID WATSON was active in the New Zealand music and art scene, as a member of PRIMITIVE ARTS GROUP, appearing in the first New Zealand International Arts Fest, and co-founded Braille Records to record the local improv music scene (which released 12 LPs in the eighties). He released three LPs on Braille, and did much to create an improv/noise-music scene where previously there was none. In 1987 he moved to New York and has performed in clubs, new music and concert venues throughout New York, Europe, Australia, NZ and Japan since then. From 1988 to 1995 he played primarily guitar performances in New York with Ushio Torikai, Ikue Mori, Mark Ribot, Zeena Parkins, Kato Hideki, Cecil Taylor, William Hooker, Shelley Hirsch, Andrea Parkins plus many others at venues like CBGBs, Knitting Factory, the Cooler, as well as curating music series like Roulette, Experimental Intermedia, St. Marks Church, Greenwich House, Bang-on-a-Can, PS 1, and PS 122. He did a Japan tour with John Zorn, and members of the Boredoms, Merzbow, Ground Zero, Makigami Koichi, and others.- Ecstatic Peace.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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