Take two collaborators, one a German sound artist noted for his painstaking micro-engineered computer compositions, the other a New Zealand noise terrorist with a reputation for making albums over his morning tea breaks. Put them in a basement studio in Karlsruhe for three days in February 2003, feed them on coffee and apple juice and let them out to walk in the woods once a day. What do you get? Sights, a dramatic collision of two very different but complementary approaches to the same problem -- what is this sound?. \r\nThis is a postcard from Bruce Russells 2003 European holiday, consisting of three duo improvisations, one recorded after the fact by mail collaboration, and two recorded live in Ralfs studio. Russell and Wehowsky take turns in the studio playing guitar and manipulating a range of tone generating electronics, while the mail collaboration includes clavioline and teaspoons. The recordings have then been subjected to Ralf Wehowskys characteristically careful mixing, where stereo placement and subtle tweaking of the recorded sounds grants a bewitching crystalline sheen to every click and whine. Its the combination of instantaneous composition and carefully-planned post-production that imparts the mystery to this particular session. At once quite unlike Wehowskys recent work, yet imbued with the same ethos of care and judicious consideration which marks all his productions, Sights if anything represents a return to the more carefree jamming practiced by the earliest post-punk incarnations of his first band, PD. In this we see some influence from the slap-dash New Zealander, but whereas the average Russell production has an unmistakeable air of accident about the fact that anything wound up on tape at all, in this case the beautifully-managed production does perfect justice to the audible excitement captured at the point of creation. \r\nTheres a measured care to the way these sounds have been put together, but theres no slavish adherence to any tenets regarding how the results should sound. This is too rocking to be reductionist, too chance-driven to be minimalist, and too noisy to be lumped with any temporarily fashionable schools of micro-improvisation. What you get is the meeting of two well-made-up minds, which have spent upwards of two decades each deciding what the business of sound is all about, and then a long weekend putting the resulting experience into practice. - Corpus Hermeticum.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.