Mad Monk

WILD GUNMEN - End Ov The World

Were pretty thrilled to offer up the third volume in this series of CDRs by Wild Gunmen. End Ov the World is our favorite of the bunch, because it offers the expected - chaotic wastoid jams, cacaphonous raging, and crude acoustic punk ditties - along with the entirely unexpected - essentially, the albums untitled 12 minute closer, which is by far the best thing the band has ever done. 12" is a monstrous piece of low bass tones, disembodied vocal samples, ominous cascading noise, spooky backward effects, and singer Kristys deadpan voice (sample lyric: "I hate being raped every day / every day that I live I am raped / Everybody rapes me every day / do you know what its like to be raped every day?"). Scary shit. This track is unlike anything else in the WG discography, sounding like a cross between Consumer Electronics Teenage Nuremberg and "Revolution 9" for a post-Mullholland Drive world. There are other highlights as well, like the Godz-style punk of "Up Your Ass" (featuring rare lead vocals by either Ron or Witt), and a nearly lucid cover of "Folsom Prison Blues," complete with train whistle sound effects. Elsewhere, banjos collide with saxophones, guitars feed back mercilessly against found audio, chaos reigns. If youre new to Wild Gunmen, this is the place to start." - Mad Monk

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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