Any album by The Work is difficult to categorize, or to pigeon-hole. The bands output has been labelled everything from post-punk to acid jazz, and yet any sort of classification just doesnt seem to do the music justice. The approach seems to exhibit the complexity of progressive rock, whilst throwing that aesthetic to the dogs, in lieu of assimilating the energy and power of early punk. The Work were among the first few post-Henry Cow bands to purposefully break their own mould in an attempt to conquer new ground, thus creating music that seems more comfortable resting on a bed of nails than precious laurels. See was the final The Work album to be issued during the bands lifetime. It showcased some of the very best material of their later years, and a penchant to move into a different, more mature setting. The electronic experimentation here perfectly meshes with post-punk appeals and terrorist-like energy, giving the listener plenty of reasons to be drawn-in to their psychotic world of extremes. Each instrument plays perfectly off of the others to send everything, somewhere else, whilst somehow holding together perfectly amidst some fiendish, white knuckler time relations. Though the vocals on this album were more sung than shrieked (as evidenced on their earliest recordings), the instrumental parts, especially the drumming, keep the group in line with its radically apparent love for showcasing a primal approach. This has been out-of-print for a number of years, so its great to have it back again. - Ad Hoc.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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