Table of the Elements


For this recording, Scotsman Richard Youngs brings a mixture of emotive balladry and avant-garde sound collage to the fore. Guitar feedback and distorted synthesizer drones introduce the album, suggesting it may be tough going, especially given that their is a high-pitch tone that could shatter windows cutting through the mix. The largely instrumental album switches down a gear from the courageous experiments that see clock chimes, Casios, and electric guitars interweaved, and the drones give way to the lilting ballad Sea Is Madness" -- which has a heartbreaking refrain that resonates with the same desperation as Robert Wyatt performing "At Last I Am Free." This closing track could easily bring one to tears if it werent so distractingly intricate with its minimalist phasing effects. Wondering if Youngs could top this monumental achievement, he subsequently explored this reduced song style further on the album Saphie and floored his fans with his ability to write heart-wrenching ballads as well as being a super-sonic noise architect. Festival is certainly a standout in his expansive catalog. Coming as it does on Table of the Elements, one could only expect a genre-defying exploration." - Sylvie Harrison, All Music Guide

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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