{"product_id":"debris-debris","title":"DEBRIS - Debris'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Chickasha, Oklahoma is not a place known for producing a lot of original proto-punk bands. In fact, there is, to Superior Viaduct's knowledge, only one: \u003c\/span\u003e\u003cb\u003eDebris'\u003c\/b\u003e\u003cspan\u003e. Formed in 1975 by bassist \u003c\/span\u003e\u003cb\u003eChuck Ivey\u003c\/b\u003e\u003cspan\u003e, guitarist \u003c\/span\u003e\u003cb\u003eOliver 'Rectomo' Powers\u003c\/b\u003e\u003cspan\u003e, and drummer \u003c\/span\u003e\u003cb\u003eJohnny Gregg\u003c\/b\u003e\u003cspan\u003e, the trio created some of the most art-damaged outsider rock 'n' roll this side of \u003c\/span\u003e\u003cb\u003eMX-80 Sound\u003c\/b\u003e\u003cspan\u003e. When a local studio offered the package deal of ten hours for recording and mixing as well as pressing 1,000 LPs and two-color jackets, Debris' came in well-rehearsed -- nailing all eleven of their songs in just one take. In April 1976, the same month as \u003c\/span\u003e\u003cb\u003eRamones\u003c\/b\u003e\u003cspan\u003e' debut album, Debris' would release their lone record onto the world. Opener 'One Way Spit' could easily be mistaken for a lost KBD single -- from Chuck's bizarre count-in to the band's trashy start-stop rhythms, unfurling a Dadaist flag around Johnny's visceral vocals. On 'Tricia,' a reference to the then-current \u003c\/span\u003e\u003cb\u003ePatty Hearst\u003c\/b\u003e\u003cspan\u003e trial, Oliver's gruesome groans are sardonically juxtaposed with an electric saw. These LSD-tinged tunes are a potent mix of \u003c\/span\u003e\u003cb\u003eBeefheart\u003c\/b\u003e\u003cspan\u003e-ian controlled chaos and the genuinely weird avant-rock associated with the mid-'70s Cleveland scene. Enhanced by analog synthesizers and electronic effects, the album sounds like \u003c\/span\u003e\u003cb\u003eEno\u003c\/b\u003e\u003cspan\u003e-era \u003c\/span\u003e\u003cb\u003eRoxy Music\u003c\/b\u003e\u003cspan\u003e or \u003c\/span\u003e\u003cb\u003eStooges\u003c\/b\u003e\u003cspan\u003e' Fun House buried deep in the red Oklahoma dirt. While punk would spark a handful of bands who boldly straddled the line between the primal and the experimental, the relatively unsung Debris' were one of the first to do so. Debris' had a standing invitation to play New York at Max's Kansas City and CBGB in 1976, although they never made it out of Oklahoma. The private-press edition of their self-titled album (also known as \u003c\/span\u003e\u003ci\u003eStatic Disposal\u003c\/i\u003e\u003cspan\u003e, which was actually the label name printed on the original front cover) has since become a collector's item and is even namechecked on the infamous NWW list.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Superior Viaduct","offers":[{"title":"LP","offer_id":47487789072603,"sku":null,"price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/SV137LP_CU.jpg?v=1755959643","url":"https:\/\/www.fusetronsound.com\/products\/debris-debris","provider":"fusetron","version":"1.0","type":"link"}