FOLSOM, ROBERT LESTER - Ode To a Rainy Day: Archives 1972-1975 LP

Rock and pop music are, by all accounts, as unfair as life itself. Imagine spending the prime years of ones life, slowly honing ones skills as a guitarist, songwriter, vocalist and fledgling producer/engineer, only to have the developed fruits of your labor passed over by industry, radio, even those who you may have connected with earlier. Such was the fate of Music And Dreams, a wonderful, privately-issued album released by Robert Lester Folsom in 1976 thats very special to us here at Anthology Recordings, and an all-new collection of his home recordings, entitled Ode To A Rainy Day: Archives 1972-1975. Robert Lester Folsoms story isnt all that uncommon in the parlance of his era. Too young to be drafted, he spent the 60s growing up in Adel, Georgia, a small town nearer to Valdosta and Floridas northern border than anything resembling rock & roll, obsessing over his guitar as his craft and skills grew. Convincing a friend to go in on a Sears reel-to-reel tape recorder, which hed eventually buy out, Folsom caught the recording bug, traveling all around the area with his mobile unit, capturing sound to tapes for hire, and mastering the art of multitracking, which would become essential to his own material. With a number of friends home from college here and there, Folsom would write and record a wealth of material, eventually self-releasing an 8-track tape of his strongest selections, which makes up the backbone of Ode To A Rainy Day – the first time these songs have been heard in decades.

The polish youll find on Music And Dreams is missing from the tracks on Ode, and if thats how you need to swing, so be it. Ostensibly more homemade, if not entirely “outsider” – a tag usually reserved for musicians that exhibit some manner of concern to the outside world rather than their lack of suitability for the music industry, neither of which fits Folsoms character or material – Ode showcases both impeccable songwriting across light folk, downer pop, front porch rock and woodshed country tropes, combined with ingenious arrangements and technical skills across primitive recording equipment. Folsoms voice on these tracks pitches between Joe Walsh and Alzo Fronte, with a Southern twinge that grounds those tracks in reality. Patches of tough, Whitten-esque acid guitar soloing dot the title track and “On and On,” though the beauty of Ode lies in its tracking of the seasons: the supreme late summer laze of “See You Later, Im Gone,” the wintry chill of instrumental “Oblivion,” the springtime sashays of “Situations” and “Lovels,” all bring out a natural, safely-exposed-to-the-elements sound from these works that transcends the humble circumstances in which they were fashioned. Rather, these songs wear those circumstances like a badge of honor, and listeners can decide for themselves the best parts of these approaches by comparing the versions of “Show Me To The Window” that crop up on both releases.

Folsom had become a seasoned studio head and professional musician by the time that his solo debut Music And Dreams had materialized. Recording at the Lefevre studio in Atlanta, GA, it brings the ideas presented on Ode into clear, polished relief, lushly appointed with synthesizers, clavinet, an army of percussion, and multiple tracks of orchestration and arrangements thatll make you feel like youve heard any of these wonderful songs before. Folsom provides a homespun challenge to then-established artists as farflung as Todd Rundgren, Neil Young, and KC & The Sunshine Band, albeit with touches of guitar fuzz ripping (“Jericho”) that credit his upbringing from the decade prior. Had the record any manner of major label backing, it couldve been a hit; as it stands, Music And Dreams has quietly amassed a cult following, with original copies trading for handsome sums, as attested by its presence in both editions of The Acid Archives, and its thorough championing by an unlikely ally, Gumball/Velvet Monkeys guitarist and celebrated producer Don Fleming, who grew up next door to Folsom back in Adel, and whose first outfit, The Stroke Band, was produced by Folsom himself at Lefevre in 1978. - Anthology.
  • Sale
  • Regular price $19.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms