"The reciting of vows, the exchange of rings, the nuptial blessing: the Catholic rite of marriage centers around well-structured passages of a sacramental nature. When Frederik Croene was asked to rethink the musical settings for a wedding mass of a couple of friends, he got intrigued by the challenge of playing the Van Peteghem organ at St. Peter’s Church in Gent. The family of its creator Pierre Van Peteghem was famous in the Romantic period for their exquisite organ constructions. It was not the first time Croene made improper use of traditional instruments: for his album ‘Le Piano Démécanisée’ (AudioMER, 2010) he turned to the frame of a piano, navigating between the classical repertoire and radical deconstruction of the musical idiom. With Timo Van Luijk (aka Af Ursin) he released ‘Voile au Vent’ (La Scie Dorée, 2009), creating a haunted cosmos of classical instruments pushed to the edge. Impressed by Croene’s exploration of the Van Peteghem organ, we invited him to return to this massive instrument for a recording of his battle with the registers of pipes and pedals. ‘F.C. Me Fecit’ is the result of hours of variations high up in the organ loft of the St. Peter’s Church. Recorded during stormy weather, this album reflects the different moods instilled by the idea of an eternal alliance between people. Alternately connecting and disconnecting with the organ, Croene’s polluted chords unfold a world of archaic aesthetics and romantic ambiguity. In the split universe of both album sides of ‘F.C. Me Fecit’ (a deliberate wink to artistic mastery), Croene tames the organ and puts you under its spell." - B.A.A.D.M.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.