Feeding Tube

TWO MUCH - The Abstract Horse

""An incredible, primitive and ecstatic teenage garage rock explosion from the suburbs of 1968 Orlando, Florida. With an instrumental line-up consisting of just guitar and drums, this is a version of rock & roll as raw and naked as only a duo can manage. Think Half Japanese, the Work Dogs, the Bassholes and so on -- Two Much are cut from the same wicked cloth. I remember a cassette of some of this material circulating around sub-underground Boston back in the 1980s. Might have been around the time Robin Amos's post-Girls band, Shut Up (with Glenn Jones), was finishing up their run. Robin was a well-known player on the scene both as a musician and a recordist, and people were jazzed to check out his teenaged roots. But the pummeling racket created by this two-man demolition squad -- with Robin on drums and his buddy, John Chadwick, on guitar and vocals -- was way too much for the squares to handle. None of the era's hep new wave labels knew what to do with the tapes either, so back into storage they went. But Robin was pleased with the results of the Girls' Punk-Dada-Pulchritude LP (FTR 220LP, 2012), and a year or so ago he asked if we'd be up for giving the tapes a listen. My faulty memory banks recalled a band that mostly did covers (their versions of 'Break on Through' and 'Lucy in the Sky with Diamonds' are both stuck deep in my brain.) But Robin assured us that Two Much did mostly originals, and lo and behold -- when the files arrived they were rich with crazy tunes the pair had written themselves between the ages of 10-12 (Johnny) and 12-14 (Robin). Amazing! Many bands then only had one 'original,' and it was usually a dull blues readymade. Two Much had tons of short tracks that spoke directly to the heart of junior high desire, and also managed to create a distorted, 6+ minute, political opus called, 'State of the Union '68.' That track is so far from what you'd expect that it kinda DESTROYS in all imaginable ways. Plus, in 'Who Says,' you get to enjoy the immense pleasure of hearing a 12-year old sing, 'Most of my life I've been working/Slaving my life away/Working in the king's mine fields.' Insane! Two Much's one session was recorded by Robin's dad, in their living room, right before John Chadwick and his family moved from Florida to California. Sadly, John and Robin fell out of touch over the years, but the sound of Two Much is an eternal beacon of teenage truth & justice. Burning in the dark suburban night of pre-Disney Orlando. We should all have back pages like this!" --Byron Coley, 2020 Edition of 200." - Feeding Tube Records.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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