Ecstatic Peace

WHITE OUT WITH JIM O'ROURKE & THURSTON MOORE - Senso

"White Out are indeed 'white' and, in transcendence of such inherent nothingness, most definitely 'out'. Linn Culbertson and Tom Surgal met in the still wild mania of 1986 New York City in front of CBGB during a Big Black show (Steve Albini's notorious Chicago trio of miscreant salutation). They were introduced by ex-Sonic Youth drummer Richard Edson and, after discovering mutual fascinations with the avant-garde marginalia of no wave, free jazz, noise rock etc., began to play music in a secret location on the Upper East Side of Manhattan. Surgal had been playing drums his entire life informed by the majestic energy of Elvin Jones, as well as the primal insolence of Bradley Field (of Teenage Jesus & The Jerks 'fame'). Linn had come out of modern 20th XX composition studies in Madison, Wisconsin. By the mid-90s, White Out had become one of the more interesting and increasingly stunning lights on a downtown scene that had grown a keen and critical eye on contemporary moves in improvised music. (Early on in this scheme, Thurston Moore had introduced Tom to no wave guitar legend Rudolph Grey and the two men re-established Mr. Grey's incendiary Blue Humans project, incorporating Thurston on intermittent second guitar, alongside a young Alan Licht.) Ecstatic Peace released the first White Out CD Red Shift in 1995, and in 2001 released Drunken Little Mass, an amazing recording with acclaimed multi-instrumentalist and music theoretician (and, at the time, Sonic Youth member/ secret weapon) Jim O'Rourke. The UK based ATP (All Tomorrows Parties) label released the China Is Near CD in 2005, also with O'Rourke and employing the wizardry of William Winant, an acclaimed percussionist who has worked with John Cage, Iannis Xenakis, and Cecil Taylor as well as being involved in an infamous trio with Surgal and Moore, which rears its head when the demons beckon. Senso is a live recording from two shows at the heralded and, sadly shut, Tonic club in NYC December 18, 2004. It was a lovely evening when O'Rourke and Moore, both of whom had played with White Out, but never together, would set the controls for the heart of the universe. Each set was its own distinct drama and captured the four players in a unified mind meld bringing the audience with them on a spirit-high journey." - Ecstatic Peace.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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