Space Age

ZINOVIEFF, PETER - Electronic Calendar: The EMS Tapes

Peter Zinovieff is one historys most enigmatic and influential electronic music composers. The EMS Tapes is the first complete retrospective of his earliest experiments in 1965 through to the dissolution of his studio and the bankruptcy of his company, EMS Synthesizers, in 1979. This deluxe two-CD set includes extensive liner notes, exclusive photos, and Zinovieffs own diary entries compiled by Sonic Boom aka Pete Kember. In 1964 Zinovieff sold his wifes wedding tiara to purchase the first computer housed on a private estate and converted his garden shed into the most advanced music studio in the world, housing 384 oscillators, as well as a collection of filters, noise generators, ring modulators, signal analyzers, and amplifiers. The center of the studio was the computer, which ran on on 8k of memory priced at -Ǭ£1/byte (-Ǭ£8000), allowing thousands of musical parameters to be sequenced several thousand times per second. Throughout the 1960s and 70s Zinovieffs studios became a place of pilgrimage for musicians looking to discover previously unheard sounds; Zinovieffs daughter Sofka recalls, Id be having tea in the kitchen with my two younger brothers, when people like David Bowie, Paul McCartney, or Pink Floyd would pass by on their way to the studio." Other visitors included Kraftwerk, Klaus Schulze, King Crimson, Alan Sutcliffe, Hans Werner Henze, and Karlheinz Stockhausen, to name but a few. Electronic Calendar begins with "Chronometer 71," composed in the form of a graphical score by Harrison Birtwistle and created from recordings of Big Ben and the Wells Cathedral clock, sequenced by Zinovieffs computer to a pre-determined structure that controlled tape machines in a system resembling an early sampler. The piece was created in the second iteration of Zinovieffs studio, which was also home to the worlds first series of narrow filter bands used as a sound analysis system, recording the response of each filter to the applied signal; Zinovieff had created the worlds first vocoder. The second CD opens with Zinovieffs interpretation of "Agnus Dei," followed by "ZASP," a collaboration with Alan Sutcliffe. In 1967 "ZASP" won second prize at the IFIP (International Federation for Information Processing) Congress; Iannis Xenakis beat it out for first place. The CD closes with the last piece of music recorded in the EMS studio before it was destroyed by a flood in 1979; aptly titled "Nows the Time to Say Goodbye," it features interview fragments of Zinovieff fading in and out." - Space Age.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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