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The Wire

WIRE, THE - #460 June 2022

"On the cover: Phew. The Japanese punk survivor and intrepid vocalist/composer continues to build an impressive catalogue of collaborations, solo projects and band work in a career now spanning over 40 years. Japanese punk primer: A round-up of notable outliers of Japanese punk and post-punk; The Primer: Pauline Oliveros. A Deep Listening dive into the recordings (and cisterns) of the composer and accordionist who pioneered radical new ways of listening and living; Ione: The writer, playwright and director, and creative/life partner of Pauline Oliveros, continues their work to connect communities and listeners; Invisible Jukebox: Ava Mendoza. Will The Wire's mystery record selection shred the nerves of the virtuoso guitarist?; The Dream Syndicate: Since their 2012 reunion, the US psych trailblazers have let their freak flag fly across a run of trippy releases including new album Ultraviolet Battle Hymns & True Confessions; Unlimited Editions: Radio Art Zone; Unofficial Channels: Riddimguide; Black Glass Ensemble: Environmentalist chamber group follow the data; Deborah Walker & Silvia Tarozzi: Finest worksongs for the Italian cello and viola duo; Julmud: The Palestinian producer and rapper collages industrial sounds from across the Middle East; Floris Vanhoof: Transforming sound and vision is fair game for the Belgian artist and instrument builder; Global Ear: Moscow. The invasion of Ukraine has pushed the Russian counterculture into retreat; The Inner Sleeve: billy woods on Bigg Jus's Black Mamba Serums v2.0; Epiphanies: Gary Lucas is enchanted by Third Ear Band's trancelike medievalism." - The Wire.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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