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The Wire

WIRE, THE - #461 July 2022

"AMM: For 50 years, Eddie Prévost, Keith Rowe and John Tilbury have had their sights set firmly on sonic freedom, changing the landscape of music in the process. By Clive Bell. AMM mini-Primer: A user's guide to the group's recent recordings. By Seymour Wright; Angharad Davies: The hardworking violinist and improvisor finds inspiration for her time dissolving recordings and performances through interpersonal connections. By Abi Bliss; UnicaZürn: Veteran industrialists Dave Knight and Stephen Thrower pour two lifetimes of experience into their dystopian stew. By Rob Turner; Invisible Jukebox: Hannah Catherine Jones: Will the UK composer be reduced to a Foxy Moron by The Wire's mystery record selection? Tested by Meg Woof; Unlimited Editions: Nhạc Gãy; Unofficial Channels: Tape Archives; Opal X: Harsh beauty from former Paper Dollhouse denizen. By Claire Biddles; Nexcyia: Producer Adam Dove gives it the old collage try. By Rob Turner; Teresa Winter: Sea salt memories from the Yorkshire based composer. By Louise Gray; K Of Arc: The beauty and horror of Kevin Craig's electronic fog. By Emily Pothast; Global Ear: Washington, DC: DIY still thrives in the hardcore heartland. By Jonathan Williger; The Inner Sleeve: Sarah Davachi on Genesis's Trespass; Epiphanies: Pamela Z picks up the phonemes." - The Wire.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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