Double CDR set of archive A Band material. A bit more description on these recordings and the events behind them: On the Friday we drove in a van up to Leeds, and there was some kind of fault with the engine, which meant we drove slower and slower as we progressed - the last nine miles took us an hour! As a result, we arrived at the venue and went onstage immediately, no time to relax beforehand. I think (if memory serves) Tim missed the gig so that he could get the van fixed in time for our return home. We drove back to Nottingham, where we were due to be first band onstage at the annual Rock & Reggae Festival. Andrew Lloyd Webber is about 43 minutes long, and has some good sounds throughout. An Ole Crab is about 28 minutes, near the start Im reading out some found letters and notes, and it ends with us being attacked by a chainsaw-wielding man who I never saw before or afterwards, followed by Stream and me duetting on a children song, with live sound effects (it sounds like the tape slows down, but we sang it that way). -Stewart Walden
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.