Koo Editions


"Unprecedented submolecular laser class 4 electro session, recorded in Physics Dept., Freie Univeristät Berlin, in 2005. The modern photon concept was originated by the work of Albert Einstein at the beginning of XX century, when he elaborated the relativity theory, in 1905. To celebrate the centenary (2005) of that singular event, the AEM -- "Casa dell'energia" of Milan -- organized the presentation of a dedicated installation and a live performance by the artistic collective Alterazioni Video. To develop this photonic work, they went to the physics laboratory of the Freie Universität in Berlin. Together with Giovanni De Donà, then researcher Markus Gühr (now director at Potsdam University after his experience at Stanford) carried out his research using a class 4 laser. The class 4 is able not only to pierce the retina, but also to break the bond that holds the oxygen molecules together, thus generating flashes of light and powerful micro-couplings with interesting rhythmic flaps. The session involved a certain risk, the atmosphere was naturally electrified, and under the supervision of Markus it was possible to trigger the laser through a drum machine in order to control these bursts and use them as rhythmic units. Improvising a unique session of electro to all effects properly sub molecular, minimal electronic sounds interacted with the rhythms of the matter stimulated by the laser while producing light phenomena. The "Waterlaser" track in particular was created by concentrating the laser focus on a water surface, and documents the background sound given by the splitting of the molecules of the liquid. This experimentation on the border of art and science goes beyond the reductionism given by the programmed structures of the explosions, and highlights the obscure aspect of indeterminacy revealed by uncontrollable explosions. This took place because of a physical principle that we could touch with our hands, which brought science closer to the aesthetics of magical realism, as we could experience with our eyes and ears. Recorded with room microphones, and the balance was all-in-all positive: no one injured, a professional digital camera burned for daring to linger too long in framing the focus of the explosion of molecules. A recording that is now presented in this record 15 years later. The B side features Chris Mitchell with bass-influenced kinematic interpretation using parts from the session. The recording of the next Milanese public session was lost in the black hole of the RAI archives." - Koo Editions .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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